la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

Custom t-shirt inspired by the Beatles album "Abbey Road", about our great kings in the history of Spain. Those already mythical kings who created the so-called Spanish Empire, that generator empire, in contrast to the predatory Empires, of which the philosopher Gustavo Bueno speaks. The symbolic representation of that idea of ​​Empire represented by the Catholic Monarchs (Isabel and Fernado) and the Emperor Carlos V and his son Felipe II.

[Design proposed by Lara Salas Justicia]

[Information about Customized Shirts]

We are fans of funkos, we adore these little bigheads, they have already become objects of worship. How to resist collecting these adorable POP toys, they are great !! There are them about the Vikings series, the Walking Dead or Stranger Things, or the Star Wars sagas, the Lord of the Rings and Harry Potter, about Marvel superheroes, DC, Disney classics, about horror movie characters, from series b, from the mythical 80s movies, from those by Tim Burton, those by Tarantino, Alex from a Clockwork Orange, on components of rock and heavy metal bands such as Kiss, Megadeth, ACDC or Metallica, and even on our dear Edgar Allan Poe or Lovecraft. Whatever one imagines there will be a funko ...

However, history lovers who are looking for historical characters related to epic deeds and battles personalized or customized in funko style will find a giant void, and there is no sign that the Company is going to distribute them, that is why we wanted to remove that thorn by recreating these designs through legendary heroes who have marked the Hispanic future. Thus we have brought in this first selection Viriato, El Cid, Hernán Cortés, Captain Contreras, Blas de Lezo and Agustina de Aragón.

Endless attacks and fierce defenses planned on his figure. Considered one of the best generals of his time and one of the great heroes that our mother earth has produced, the Black Legend describes him and his elite troops, the Tercios, as an ambitious, brutal, sadistic, cruel and savage guy. , without empathy, who applied terror and extermination, a true tyrant. Renowned experts and historians deny all these extremes, other important and serious ones say otherwise.

In any case, to say that he is a relevant character, for better or for worse, in the history of Spain, he was a trusted man of Emperor Charles V and his son Felipe II. Wherever the imperial cause had to be defended, the Duke of Alba met there. We see him in Vienna against the Ottoman expansion, in Tunisia overthrowing Barbarossa returning the control and power of the Crown over the Mediterranean, in Mühlberg defeating the German Protestants, his campaigns in Flanders, putting down the revolts in the Netherlands, defeating Luis de Nassau and Guillermo de Orange, or conquering, for the Empire, Portugal. He lived through the splendor of the Golden Age and shared arms and camaraderie with his good friend, the poet Garcilaso de la Vega. Still, he turned out to be the champion of the idea of ​​Empire — Generating / Civilizing Empire or Predatory / Colonizing Empires? - and his actions favored the undisputed apogee in the international concert during the SXVI.

[Information about Customized Shirts]

Endless attacks and fierce defenses planned on his figure. Considered one of the best generals of his time and one of the great heroes that our mother earth has produced, the Black Legend describes him and his elite troops, the Tercios, as an ambitious, brutal, sadistic, cruel and savage guy. , without empathy, who applied terror and extermination, a true tyrant. Renowned experts and historians deny all these extremes, other important and serious ones say otherwise.

In any case, to say that he is a relevant character, for better or for worse, in the history of Spain, he was a trusted man of Emperor Charles V and his son Felipe II. Wherever the imperial cause had to be defended, the Duke of Alba met there. We see him in Vienna against the Ottoman expansion, in Tunisia overthrowing Barbarossa returning the control and power of the Crown over the Mediterranean, in Mühlberg defeating the German Protestants, his campaigns in Flanders, putting down the revolts in the Netherlands, defeating Luis de Nassau and Guillermo de Orange, or conquering, for the Empire, Portugal. He lived through the splendor of the Golden Age and shared arms and camaraderie with his good friend, the poet Garcilaso de la Vega. Still, he turned out to be the champion of the idea of ​​Empire —Generating / Civilizing Empire or Predatory / Colonizing Empires? - and his actions favored the undisputed apogee in the international concert during the SXVI.

[En la imagen el lema "Je Maintiendrai" (mantendré) de la casa de Orange-Nassau]

[Information about Customized Shirts]

Would you bet on a maimed, lame and one-eyed man to face the "Perfidious Albion"? In view of the outcome, it would be stupid to say no ... Our half-man is called Blas de Lezo and he is remembered for having shaken the English by directing the defense of Cartagena de Indias during the British siege in 1741, where with just 6 ships managed to heroically resist the attack of 195 ships during the bloody battle.

This intrepid Gipuzkoan at only 17 years old would lose his leg with a cannon shot in the hard battle of Vélez-Málaga in 1704, at two years old a splinter from another cannon shot would blow his left eye off. Some time later, with 26 compliments, during the War of the Succession he would be left maimed by a bullet. Since then, the nickname of Almirante Palpalo would always accompany him. He had already become a legend, but it would be as commanding general in Colombia that he would go down in the annals of history as one of the best strategists in the Spanish Navy for his extraordinary feat and glorious victory against the humiliated Englishmen of Admiral Edward Vernon in Cartagena de Indias.

[T-shirt proposed by Joaquín Lista de Pando]

[Information about Customized Shirts]

"He was not the most honest or the most pious man, but he was a brave man" P. Reverte.

If you lived dangerously and your life was hanging by a thread, if you defied authority, defending your reason and rights with the proud point of your sword, if you sacrificed yourself and were generous and human, if you were fearless, reckless, arrogant, brave, adventurous, seductive, rogue, loyal, if you were capable of the most heroic but also the meanest actions, if you were guided by your code of honour, if you sought glory on the margins of society and the law, if you lost your innocence in the face of the harsh reality of mud and blood, and if, disenchanted, everyone abandoned you. .. then you were probably an Old Thirdsman, a tired hero in rusty armour, a forgotten anti-hero like a cursed Alatriste.

Under the reign of Carlos V, emperor of the Holy Roman Empire, and his son Felipe II, Spain became the first world power, the champion during the Golden Age of that vast empire in which "the sun did not set." He assumed the old idea of ​​establishing a universal Empire of supranational and spiritual unity, an ideal of an Empire successor to the European Tradition (the medieval Christianites, the Romanites of the Roman Empire) against the Protestant currents, the Europe of Nations and against the thriving Ottoman Empire.

While the “Civilizing Empire” spread across America and the world (Hispanity), the emperor managed to face the threat of the Turks (Vienna and Lepanto —Felipe—). But the expansion of the Protestant Lutheran Reformation and the hostility of France and other countries such as Belgium, Holland or England frustrated (Westphalia) the realization of the ideal of Empire - that continuation project of the wisdom tradition, the East / West Indo-European tradition and Pagan tradition through which we can transcend through the initiatory and warrior path, through grace, the fruit of our works. As a consequence, the predatory Empires and the Europe of the sovereign Nations of the modern world appear.

Ostentatious, fearless, brave and courageous warriors, so fearful that even the very devil closed the gates of hell because he was afraid of them... These knights of steel or servants of the land were the warrior elites of the Renaissance, recognizable by their striking features, colorful and extravagant clothing (until then reserved for the clergy and nobility, as they were exempted from the rules of the state and the sanctuary laws) their actions were recorded in legendary battles such as Pavia, San Quintín, the siege of Vienna, or the sack of Rome.

In a period, at the end of the 15th century, in which feudalism was dying —with it the caste system that determined by birth the roles in life— and the art of war was changing, the peasants, craftsmen or servants had the possibility to become by their own merits pikemen, arquebusiers or swordsmen within the new mercenary armies of the emperor. Without a noble title, lineage and ancestry, the Lansquenets were able to become highly paid land soldiers thanks to their impeccable combat technique, their high risk in the battlefield that made their lives "so short and brutal" (Maximilian I).

Ostentatious, fearless, brave and courageous warriors, so fearful that even the very devil closed the gates of hell because he was afraid of them... These knights of steel or servants of the land were the warrior elites of the Renaissance, recognizable by their striking features, colorful and extravagant clothing (until then reserved for the clergy and nobility, as they were exempted from the rules of the state and the sanctuary laws) their actions were recorded in legendary battles such as Pavia, San Quintín, the siege of Vienna, or the sack of Rome.

In a period, at the end of the 15th century, in which feudalism was dying —with it the caste system that determined by birth the roles in life— and the art of war was changing, the peasants, craftsmen or servants had the possibility to become by their own merits pikemen, arquebusiers or swordsmen within the new mercenary armies of the emperor. Without a noble title, lineage and ancestry, the Lansquenets were able to become highly paid land soldiers thanks to their impeccable combat technique, their high risk in the battlefield that made their lives "so short and brutal" (Maximilian I).