Before the Iberians, Celts, Phoenicians, Greeks and Tartessos, there were the Atlanteans, those inhabitants of the most advanced civilization - their technology, their knowledge, their ships, their cars, their wealth, their mines, their constructions, their culture, their hidden idols, their sacred kingdoms...—which disappeared—perhaps due to an earthquake or a great deluge—completely 11,000 years ago. It was one of those lost continents like Hyperboria, Lemuria and Mu, whose memory remains submerged in oblivion.

Atlantis is the seed of our own civilization, its empire spread over the planet - it is possible that the Greek myths had their Atlantean birth in Iberia. A large commercial port city, where boats enter and leave with their mythical metals. Its origin, wrapped in myth, legend and fantasy, is still one of the great enigmas for archaeologists, who believe it could be found on the coast of Cádiz, near the Pillars of Hercules, at the "end of the world". of which the classics of Antiquity spoke.

Many mysteries and secret keys of this legendary civilization to decipher. Was it the lost city that was under water that Plato was talking about? Did the Atlanteans invade Egypt? Was the Great Sphinx of Giza a vestige of Atlantis? Did the Atlanteans build the pyramids? Did they trade with King Solomon? Did your navigators reach America? Did they annihilate the Lemurian civilization? Was Tartessos perhaps Atlantis?

"Evil cannot create anything new, it can only corrupt or ruin what the forces of good have invented or built"

What would our dearest Tolkien think if his work were modified and influenced by modern stupidity, political correctness, language and inclusive usages?

Here is a defense of the teacher against the forces of evil. Our freedom and right to dissent and shout out loud Tolkien untouchable!

***

Not all that glitters is gold,

not all wandering people are lost;

frost does not reach the deep roots,

the vigorous old man does not wither.

From the ashes a fire will rise,

and a light will appear in the shadows;

the uncrowned will be king again,

They will forge the broken sword again.

Cancel culture is the withdrawal of support, be it moral, financial, digital, and even social, from those people or organizations that are deemed inadmissible for their comments and actions. Those, those or "those" who transgress the new established order. The perfectly orchestrated trolls and bots to boycott and stigmatize the heretic. Everything fits here, we have all seen the virtual lynchings of those who criticize the system, who do not adhere to any side, and are tightly controlled by the thought police. Artists, writers, rockers, metalheads, famous freethinkers who use "non-inclusive" language and have been defenestrated and burned in those public bonfires. It is the new modern inquisition that limits freedoms and censors all dissidence.

Through newspeak —what is language but the soul of peoples transmitted from generation to generation! We think through it and it guides our behavior—a new change in mentality, another step towards cultural hegemony, a new victory to surrender to this modernity. That revisionism and that political correctness that subjects masters like Tolkien or Lovecraft, to comics like Tintin, Conan, the classics and popular tales and a very long etcetera...

Allow us the outburst and exaggeration, but we believe they will end the great works and authors of Literature. The rich language provided by the geniuses —such as Quevedo, Lope, Calderón or Cervantes— of our Golden Age, full of beauty and greatness, as well as comedy, satire and scathing baroque insults, will soon be persecuted and we will have to apologize because these soldier poets, eager for a spirit of adventure and militia, were born in our bull's skin. The century of arms and letters will be cancelled, its virtues and its universal themes of truth, honor, love, spirit, courage, heroism, chivalry or country will be reduced to ashes in this "reversal" of the politically correct.

Cancel culture is the withdrawal of support, be it moral, financial, digital, and even social, from those people or organizations that are deemed inadmissible for their comments and actions. Those, those or "those" who transgress the new established order. The perfectly orchestrated trolls and bots to boycott and stigmatize the heretic. Everything fits here, we have all seen the virtual lynchings of those who criticize the system, who do not adhere to any side, and are tightly controlled by the thought police. Artists, writers, rockers, metalheads, famous freethinkers who use "non-inclusive" language and have been defenestrated and burned in those public bonfires. It is the new modern inquisition that limits freedoms and censors all dissidence.

Through newspeak —what is language but the soul of peoples transmitted from generation to generation! We think through it and it guides our behavior—a new change in mentality, another step towards cultural hegemony, a new victory to surrender to this modernity. That revisionism and that political correctness that subjects masters like Tolkien or Lovecraft, to comics like Tintin, Conan, the classics and popular tales and a very long etcetera...

Allow us the outburst and exaggeration, but we believe they will end the great works and authors of Literature. The rich language provided by the geniuses —such as Quevedo, Lope, Calderón or Cervantes— of our Golden Age, full of beauty and greatness, as well as comedy, satire and scathing baroque insults, will soon be persecuted and we will have to apologize because these soldier poets, eager for a spirit of adventure and militia, were born in our bull's skin. The century of arms and letters will be cancelled, its virtues and its universal themes of truth, honor, love, spirit, courage, heroism, chivalry or country will be reduced to ashes in this "reversal" of the politically correct.

Cancel culture is the withdrawal of support, be it moral, financial, digital, and even social, from those people or organizations that are deemed inadmissible for their comments and actions. Those, those or "those" who transgress the new established order. The perfectly orchestrated trolls and bots to boycott and stigmatize the heretic. Everything fits here, we have all seen the virtual lynchings of those who criticize the system, who do not adhere to any side, and are tightly controlled by the thought police. Artists, writers, rockers, metalheads, famous freethinkers who use "non-inclusive" language and have been defenestrated and burned in those public bonfires. It is the new modern inquisition that limits freedoms and censors all dissidence.

Through newspeak —what is language but the soul of peoples transmitted from generation to generation! We think through it and it guides our behavior—a new change in mentality, another step towards cultural hegemony, a new victory to surrender to this modernity. That revisionism and that political correctness that subjects masters like Tolkien or Lovecraft, to comics like Tintin, Conan, the classics and popular tales and a very long etcetera...

Allow us the outburst and exaggeration, but we believe they will end the great works and authors of Literature. The rich language provided by the geniuses —such as Quevedo, Lope, Calderón or Cervantes— of our Golden Age, full of beauty and greatness, as well as comedy, satire and scathing baroque insults, will soon be persecuted and we will have to apologize because these soldier poets, eager for a spirit of adventure and militia, were born in our bull's skin. The century of arms and letters will be cancelled, its virtues and its universal themes of truth, honor, love, spirit, courage, heroism, chivalry or country will be reduced to ashes in this "reversal" of the politically correct.

Cancel culture is the withdrawal of support, be it moral, financial, digital, and even social, from those people or organizations that are deemed inadmissible for their comments and actions. Those, those or "those" who transgress the new established order. The perfectly orchestrated trolls and bots to boycott and stigmatize the heretic. Everything fits here, we have all seen the virtual lynchings of those who criticize the system, who do not adhere to any side, and are tightly controlled by the thought police. Artists, writers, rockers, metalheads, famous freethinkers who use "non-inclusive" language and have been defenestrated and burned in those public bonfires. It is the new modern inquisition that limits freedoms and censors all dissidence.

Through newspeak —what is language but the soul of peoples transmitted from generation to generation! We think through it and it guides our behavior—a new change in mentality, another step towards cultural hegemony, a new victory to surrender to this modernity. That revisionism and that political correctness that subjects masters like Tolkien or Lovecraft, to comics like Tintin, Conan, the classics and popular tales and a very long etcetera...

Allow us the outburst and exaggeration, but we believe they will end the great works and authors of Literature. The rich language provided by the geniuses —such as Quevedo, Lope, Calderón or Cervantes— of our Golden Age, full of beauty and greatness, as well as comedy, satire and scathing baroque insults, will soon be persecuted and we will have to apologize because these soldier poets, eager for a spirit of adventure and militia, were born in our bull's skin. The century of arms and letters will be cancelled, its virtues and its universal themes of truth, honor, love, spirit, courage, heroism, chivalry or country will be reduced to ashes in this "reversal" of the politically correct.

Night has fallen, the magic in the environment, the druids invoke the spirit of wheat to return to the fields, it is then that the great straw doll captures the spirit of abundance.

The great Celtic festival of the god Lugh begins, the time of the first harvests, between the summer solstice and the autumn equinox, time to gather food for the harsh winter.

Golden field, solar energy, goddess of grain, thank you for the gifts of the earth, its wheat, its oats and its barley.

In the Bhagavad Gita —the epic and wisdom text of the Hindu tradition— through the Dialogue between Prince Arjuna and his charioteer Krishna —conceived before starting the fratricidal war between the Pvas and the Kauravas in the battle of Kurukshetra—, we are They offer keys to inner combat, to overcome suffering, death, the meaning of life, the correct action, the nature of the Divine… it gives us a way and a method for liberation. From the knowledge and mental discernment to identify our true identity with the being, with the transcendent self and not with the impermanent, to the fulfillment of duty through disinterested action until sacrifice in the fire of God. Our being, our thoughts and our actions actively surrendered to the absolute and supreme so that the Ego is dominated and unconditioned.

“Cut the ignorant doubt in your heart with the sword of self-knowledge. Watch your discipline. Get up "

"Free yourself from the anxiety of the things of this world, do not let yourself be governed by the illusions of this perishable world"

"The mind is a faithful friend of man, only when it has been conquered by the spirit"

"No one who does a good job will ever have a bad ending, not here or in the world to come."

It is a search and an encounter, when all the paths lead us to self-flagellation, to tricks and patches that have little or nothing to do with the true meaning of life, when accelerated technique envelops us and misleads us, camouflages the way, when the ruins of the past are those ruins that inspire but do not resurrect, then it seems that nothing remains, but the sterile contemplation of decadent nihilism or the addition / addiction to the "heroine" of modernity. Here then is a path to travel the world, our world, an awakening of self-knowledge, the path of the left hand for the kali yuga, an opportunity to conquer oneself, to taste the poison and turn it into an elixir, to be a test and an example. in front of our friends and enemies, to muddy us, to make mistakes and to rectify if necessary. Make the Dark Ages our stage and theater of life, our forger of character, our spiritual nourishment — along with the sources of perennial wisdom — to overcome, conquer and liberate ourselves.

Fateful times we have had to live, a great darkness hangs over the spirit. In the midnight of the world the fight against the dragon is waiting for you. Arm yourself with strength and wisdom for the inner conquest, remember that the ego absorbs you, its tyranny controls you, do not back down, it is your heroic moment, the most vital and important in your life ...

[Sophia Perennis Collection]

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm