"God is in the center, all roads lead to Him."

"Tradition is not a childish and outmoded mythology but a science that is terribly real"

The thinker, philosopher and poet Frithjof Schuon, promoter of the Sophia Perennis —influenced by the work of René Guenón—, and philosopher of the metaphysical current of Shankara and Plato, scholar of Christianity, Islam and Sufism, advocated the "Unity Transcendent of Religions" (above the devotional, totemic, animist, shamanic, telluric or lunar religions of a matrix nature where the possibility of Awakening to the Supersensible Reality or to the Supreme Principle that is found at the origin of the Cosmos is not conceived) as an antidote to modern nihilism.

Tradition, understanding this not as folklore or customs but as a reflection on the physical plane of the Transcendent reality, as a bridge between heaven and earth. Thus, man is not shielded before transcendence, he can come to see the light and update that transcendent seed within himself. An initiatory path of the hero to update the spirit that we carry in potential to conquer eternity, transmuting us into unconditioned sacred warriors of the world of becoming.

Let us think of Rome and its solar spirituality, of the Greek Dorians of Apollonian worship, that lineage that founded Sparta, of the Celtiberians with their warrior brotherhoods and the mors triunphalis, of the ascetic warrior cavalry of the High Middle Ages, of the Arthurian cycle, the Temple , the Holy Roman Empire, Taoism, Tantrism, the Vedas, the samurai and Zen Buddhism… where Tradition was very much alive…

That traditional world that also considered that the forces of nature were alive, they had a soul. Nature and the universe was someone. There was a sacral interpretation of virgin nature. From the Plains Indians —Schuon "saw something of the nobility and majesty of the Primordial tradition"—, the Celts, the Slavs, the Germans, classical Greece or ancient China.

Thus, there are clues in the world of Tradition to enliven the Sophia Perennis and face the darkness of the modern world or kali-yuga. The world of Tradition as an antidote to the Modern world.

When we enter the extraordinary history of Ancient Rome we come across its legions, its conquests, its epic battles, its emperors and its Immense Empire, its founding myths and its gods, the principle of citizenship, the law, the senate and the Roman people (SPQR), but we also find stories of persecutions, of slave traders for the Mare Nostrum, of prisoners of war and gladiators who fought heroically in the arena of the Colosseum to conquer their freedom —Many of them, of course, confronted in the amphitheatres attracted by the search for recognition, fame and glory.

«The war reached us all, in the heat of battle, we well knew the sovereign wolf God and his ferocious consecrated warrior brotherhoods that, through magical rituals, acquired fury for combat, assuming the faculties of the wolf and after his death triumphant, Vaélico, thus referred to by the Vetones, accompanies them on their journey to the beyond.»

Fateful times we have had to live, a great darkness hangs over the spirit. In the midnight of the world the fight against the dragon is waiting for you. Arm yourself with strength and wisdom for the inner conquest, remember that the ego absorbs you, its tyranny controls you, do not back down, it is your heroic moment, the most vital and important in your life ...

[Sophia Perennis Collection]

"God is in the center, all roads lead to Him."

"Tradition is not a childish and outmoded mythology but a science that is terribly real"

The thinker, philosopher and poet Frithjof Schuon, promoter of the Sophia Perennis —influenced by the work of René Guenón—, and philosopher of the metaphysical current of Shankara and Plato, scholar of Christianity, Islam and Sufism, advocated the "Unity Transcendent of Religions" (above the devotional, totemic, animist, shamanic, telluric or lunar religions of a matrix nature where the possibility of Awakening to the Supersensible Reality or to the Supreme Principle that is found at the origin of the Cosmos is not conceived) as an antidote to modern nihilism.

Tradition, understanding this not as folklore or customs but as a reflection on the physical plane of the Transcendent reality, as a bridge between heaven and earth. Thus, man is not shielded before transcendence, he can come to see the light and update that transcendent seed within himself. An initiatory path of the hero to update the spirit that we carry in potential to conquer eternity, transmuting us into unconditioned sacred warriors of the world of becoming.

Let us think of Rome and its solar spirituality, of the Greek Dorians of Apollonian worship, that lineage that founded Sparta, of the Celtiberians with their warrior brotherhoods and the mors triunphalis, of the ascetic warrior cavalry of the High Middle Ages, of the Arthurian cycle, the Temple , the Holy Roman Empire, Taoism, Tantrism, the Vedas, the samurai and Zen Buddhism… where Tradition was very much alive…

That traditional world that also considered that the forces of nature were alive, they had a soul. Nature and the universe was someone. There was a sacral interpretation of virgin nature. From the Plains Indians —Schuon "saw something of the nobility and majesty of the Primordial tradition"—, the Celts, the Slavs, the Germans, classical Greece or ancient China.

Thus, there are clues in the world of Tradition to enliven the Sophia Perennis and face the darkness of the modern world or kali-yuga. The world of Tradition as an antidote to the Modern world.

The representation of the wolf in Iberian iconography, as a cult totemic animal, with strong roots in pastoral populations, related to myths and religious symbolism, represents ardor, heroism and warrior mysticism. Combat scenes between wolf and man are common, some symbolize death threat, lineage of power, protection in combat ... and the cult of the night, the path or initiation rite, in the passage to the afterlife, lupus as a guide in the afterlife ...

So recurrent in Iberian art, we find it in the sculptural ensembles of "El Pajarillo", in the Elche-Archena style ceramics, in the mints of the Iltirta and Iltiraka mint, in the "Copa del Carnassier", in the "Torso de Guerrero de la Alcudia"... and in the "Pátera de Perotito" where a young man, his hands are raised in a ritual position, is devoured by the wolf, merging with him, in his transit with the beyond ...

Because the wolf is also death, dying to live, dying to resurrect, when we are eaten we will renew our spirit, as a different being that is reborn as a new man. A journey of the initiate to the world of spirits, a descent to the bottom of the caverns, twinned with a wolf guide who will transfer us his great qualities...

Here is a vulgar but "honorable" gesture of defiance in the face of the barbarism of our time, obviously it is not an oath pose but without a doubt if our good gentleman with his hand on his chest from the Golden Age raised his head he would certainly raise his middle finger with a clenched fist.

Formerly the use of the comb simulated and was linked to the male phallus and its magical power to ward off the evil eye, a kind of phallic amulet against curses.

However, its practice as an obscene gesture comes from Roman times when Caligula offered his hand to his effeminate tribune to be kissed, the delirious and depraved emperor threw his finger in that position to humiliate his subjects.

As a direct insult we must go back to the Hundred Years War that faced the kingdoms of England and France when the French cut off the middle finger of all British archers, who, demoralized, were prevented from using their powerful bow. As the war favored the English, they showed them their middle finger to challenge and mock them.

We leave it to your imagination who to direct such an effective and ancient posture ...

There is no people more feared than the Viking, they have gone down in history as barbarian invaders, cruel and ruthless warriors from the north who looted, conquered and killed with their deadly axes, however they were incredible navigators, merchants and discoverers, whose mythical stories echoed in the ancient east. Its legends and poems, written in ancient and magical runes, tell alliances and skirmishes between clans and villages, mythological stories where the fierce gods of Asgard, Thor, Migdar, Odin, the Ragnarok or the Valhalla appear, that majestic hall of the fallen where they lived, guided by the Valkyrie, the warriors killed in battle...

In 1212 three kings put aside their differences and, shoulder to shoulder, galloped and charged in the Navas de Tolosa against the Almohad army of Miramamolín Al Nasir that was determined to reconquer Spain and reach Rome itself.

Horsemen, cavalry, council militias, military orders, Templars, Calatravos, Santiaguistas, volunteers, gentle men ready to fight the half moon. The confrontation was cruel. Terrible scenarios with metal ripping and tearing ...

When it seemed that all was lost for Christians, the banner of the three wolves was raised...

It is Lopez de Haro who, together with his son and his Castilian knights and innkeepers, set out at the head of the vanguard determined to immolate themselves. King Alfonso VIII of Castile, who looks at it excitedly, launches the attack shouting "Here, Bishop, we all die." Pedro II of Aragon and Sancho VII of Navarra followed him ...

The epic and the enthusiasm seizes everyone and it is that the three kings ride and charge just through the hills of the Navas de Tolosa de Sierra Morena...

Daredevils, robbers and adventurers of the sea... «The worst enemies of the human race» or «The bravest defenders of freedom»? Terrible looters of nabios, corsairs, buccaneers and filibusters, commonly known as pirates, whose greatest splendor took place during the golden age of piracy (between the XVII and XVIII centuries) on the Caribbean coast, which under the Jolly Roger flag faced the great European empires for the dominion of the sea and the looting of the booty.

Dead men tell no tales!!!

Aur Aur !! Wake up Ferro !! his battle cry. The Almogávares were mercenary soldiers, rude, reckless, defiant and fierce, the best infantry of the time they say, coming from the Pyrenean mountains that declared war on the most powerful Empire of the time, the Byzantine Empire. And the fact is that the emperor, despite the valuable aid received to bring the Turks under control, did not hesitate to betray these brave Catalans and Aragonese, assassinating their leader Roger de Flor. Revenge was immediate and this company of wounded guerrillas razed, burned and burned various cities, and seized the duchies of Athens and Neopatria (1337). His terrible vendetta - we do not want to imagine the fate of those who came across the action and anger of this strike force, so experienced since the time of the reconquest and already so showering in the handling of its fearful colltell, that mixture of brutal dagger and enormous butcher knife - has been left to posterity as "Catalan revenge."

When we enter the magical and mysterious Spain in the footsteps of the fairy world, we open not only a window to fantasy and imagination, but also to the most authentic meaning of life, since to look again with the eyes of a child is to return to believe, is to meet again with the spirit, is to be in harmony with Nature and the Earth.

Fairies, gnomes, goblins, trolls, giants, elves, undines, nymphs, mermaids, nereids, elves, sylphs, salamanders, beasts, dragons, basilisks, sorcerers, werewolves, demonic fauna —funny and grotesque—, hidden treasures, hidden kingdoms , magical caves and mountains, enchanted forests, springs of crystalline water, dark marine depths... Beings —such as elementals, spirits or men— and places —of earth, fire, air and water— that bring us closer to ourselves , to nature itself, to the pure etheric spirit, the anima mundi, where everything and everyone (living and dead) are interconnected in a spiritual way.

Tales, legends and myths loaded with folklore and popular traditions, between the real and imaginary, that help us understand and glimpse that there are forces that have been acting in our world for centuries with a higher purpose endowed with meaning.

"God is in the center, all roads lead to Him."

"Tradition is not a childish and outmoded mythology but a science that is terribly real"

The thinker, philosopher and poet Frithjof Schuon, promoter of the Sophia Perennis —influenced by the work of René Guenón—, and philosopher of the metaphysical current of Shankara and Plato, scholar of Christianity, Islam and Sufism, advocated the "Unity Transcendent of Religions" (above the devotional, totemic, animist, shamanic, telluric or lunar religions of a matrix nature where the possibility of Awakening to the Supersensible Reality or to the Supreme Principle that is found at the origin of the Cosmos is not conceived) as an antidote to modern nihilism.

Tradition, understanding this not as folklore or customs but as a reflection on the physical plane of the Transcendent reality, as a bridge between heaven and earth. Thus, man is not shielded before transcendence, he can come to see the light and update that transcendent seed within himself. An initiatory path of the hero to update the spirit that we carry in potential to conquer eternity, transmuting us into unconditioned sacred warriors of the world of becoming.

Let us think of Rome and its solar spirituality, of the Greek Dorians of Apollonian worship, that lineage that founded Sparta, of the Celtiberians with their warrior brotherhoods and the mors triunphalis, of the ascetic warrior cavalry of the High Middle Ages, of the Arthurian cycle, the Temple , the Holy Roman Empire, Taoism, Tantrism, the Vedas, the samurai and Zen Buddhism… where Tradition was very much alive…

That traditional world that also considered that the forces of nature were alive, they had a soul. Nature and the universe was someone. There was a sacral interpretation of virgin nature. From the Plains Indians —Schuon "saw something of the nobility and majesty of the Primordial tradition"—, the Celts, the Slavs, the Germans, classical Greece or ancient China.

Thus, there are clues in the world of Tradition to enliven the Sophia Perennis and face the darkness of the modern world or kali-yuga. The world of Tradition as an antidote to the Modern world.

To approach the Tolkien universe on the anniversary of his death is, in addition to remembering his life and his original work, to approach the myth, his ancestral conception, his values and his wisdom. To travel through Middle-earth with its dragons, hobbits, dwarves, elves, giants, wizards, ents, demons, skin-shifters, orcs, uruk-hais, nazguls, men... through its amazing landscapes, kingdoms and places, and to be left alone with the epic episodes and battles against the diabolic hosts of the dark lord Sauron would be to miss his spiritual teachings.

Through the Hobbit, the Lord of the Rings or the Unfinished Stories we can learn from the magical and ancestral wisdom of the great wizards or sacred sages, observe and teach us against corruption, degeneration, weakness, envy, the mastery and ambition that will lead to a scenario of struggle between good and evil, as well as contemplating with hope the incarnation, love, friendship and dedication of archetypal characters with heroic vocation such as Gandalf, Bilbo, Frodo or Aragorn who will give us life lessons.

[Interpretation of Tolkien's original drawing]

It is time to kill the dragon, it is time to tame the ego within us, but also to overthrow all kinds of tyrants, with their new faces and new appearances. Those new gods of modern societies, who try to take away our humanity, don't you see the effects of the crazy technology that has already usurped it from us?

We must not ignore the teachers of Tradition or Tolkien himself - who pointed out in his work the threats of machines and industrial hell against the natural environment, where technology was used by the forces of evil -, who put the emphasis on depersonalization and separation of man from nature as some of the evils of the modern world. It's time to slay this new dragon! In the words of Ronnie James Dio, the magical hard-rock voice of epic and heroic fantasy, it is time to put an end to “electronic serfdom”…

“Silence - we hunt for the queen

Sign of the cross

And pray in-between 

Look by the light of the day

She's hiding till dark

Waiting to play hey-hey

Something's taken a child

And it all must end

Time to be killing the dragon again

Silence - we'll hunt for the lord

He takes crimson and gold

Gave ice to the cold

Oh to be never afraid

Of wolves at the door

Howling for more

More's been empty for years

And it all must end

Time to be killing the dragon again

Kneel and behold your new king

Digital dreams

And wonderful things to tease you

Small gods with electrical hearts

And it all will end

Time to be killing the dragon” 

[Killing the Dragon - Dio]

CHOOSE BELOW BETWEEN THE DIFFERENT VERSIONS OF THE OJÁNCANU

[1 - Ojáncanu blue-green, 2 - Ojáncanu bone, 3 - Ojáncanu white  (WHITE COLOR), 4 - Ojáncanu full color, 5 - Ojáncanu dull blue, 6 - Ojáncanu orange, 7 - Ojáncanu military green, 8 - Ojáncanu electric green, 9 - Ojáncanu green Franky]

with reddish hair and beard who tears apart the mountains, provokes argayes, kills and destroys without mercy everything that crosses his path and delights in the suffering of the men of the north. Without a doubt, he is the vengeful destroyer of the entire mountain range that terrifies every living creature. His strength is enormous. He personifies hatred, anger and cruelty, he is the embodiment of the wild, the untamed and evil. This terrible ogre lives in the deep and gloomy caves of the most remote places of the mountain. "I hope you go blind, you evil-born ojáncanu, so that I can tear out your white hair and die, damn you."

AND DON'T FORGET TO CHOOSE YOUR SIZE!

It is a search and an encounter, when all the paths lead us to self-flagellation, to tricks and patches that have little or nothing to do with the true meaning of life, when accelerated technique envelops us and misleads us, camouflages the way, when the ruins of the past are those ruins that inspire but do not resurrect, then it seems that nothing remains, but the sterile contemplation of decadent nihilism or the addition / addiction to the "heroine" of modernity. Here then is a path to travel the world, our world, an awakening of self-knowledge, the path of the left hand for the kali yuga, an opportunity to conquer oneself, to taste the poison and turn it into an elixir, to be a test and an example. in front of our friends and enemies, to muddy us, to make mistakes and to rectify if necessary. Make the Dark Ages our stage and theater of life, our forger of character, our spiritual nourishment — along with the sources of perennial wisdom — to overcome, conquer and liberate ourselves.

In the Bhagavad Gita —the epic and wisdom text of the Hindu tradition— through the Dialogue between Prince Arjuna and his charioteer Krishna —conceived before starting the fratricidal war between the Pvas and the Kauravas in the battle of Kurukshetra—, we are They offer keys to inner combat, to overcome suffering, death, the meaning of life, the correct action, the nature of the Divine… it gives us a way and a method for liberation. From the knowledge and mental discernment to identify our true identity with the being, with the transcendent self and not with the impermanent, to the fulfillment of duty through disinterested action until sacrifice in the fire of God. Our being, our thoughts and our actions actively surrendered to the absolute and supreme so that the Ego is dominated and unconditioned.

“Cut the ignorant doubt in your heart with the sword of self-knowledge. Watch your discipline. Get up "

"Free yourself from the anxiety of the things of this world, do not let yourself be governed by the illusions of this perishable world"

"The mind is a faithful friend of man, only when it has been conquered by the spirit"

"No one who does a good job will ever have a bad ending, not here or in the world to come."