"Dios, qué buen vassallo, si oviesse buen señore!" (Cantar de Mio Cid)

"El ciego sol, la sed y la fatiga. Por la terrible estepa castellana, al destierro, con doce de los suyos -polvo, sudor y hierro-, el Cid cabalga."  (Manuel Machado)

"Dios, qué buen vassallo, si oviesse buen señore!" (Cantar de Mio Cid)

"El ciego sol, la sed y la fatiga. Por la terrible estepa castellana, al destierro, con doce de los suyos -polvo, sudor y hierro-, el Cid cabalga."  (Manuel Machado)

"Dios, qué buen vassallo, si oviesse buen señore!" (Cantar de Mio Cid)

"El ciego sol, la sed y la fatiga. Por la terrible estepa castellana, al destierro, con doce de los suyos -polvo, sudor y hierro-, el Cid cabalga."  (Manuel Machado)

"That is not dead which can eternal lie, And with strange aeons even dead may die" 

H. P. Lovecraft, poet, essayist, author, an appreciated and misunderstood genius of the cosmic horror novel. Pagan and creator of blasphemous stories of the wonderful and the ridiculous, his oniric dreams have drawn the worst of our nightmares and inspired in the form of worship the curious and daring who have come to read his chilling and delicious work full of outer beings, ancient gods and ancestral monsters ... Cthulhu, Shub-Niggurath, Nyarathotep, Azathoth, Yog-Sothoth .... As our friend said so well ... The oldest and strongest emotion of humankind is fear, and the most oldest and strongest kind of fears is fear of the unknown »

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

protected, with this sign the enemy is defeated"). Pelayo attributed his success to the use of this protective emblem. Whether or not the story about Don Pelayo and the battle of Covadonga is more reliable is told: if it was in 718 or 722, the number of participants according to the chronicles, recent studies talking about a riot of four uncles, what if it ended Reconquista was coined in contemporary times... the truth is that myths and legends convey to us the vision of what our ancestors believed, felt and lived at that time —let's stop judging the past with today's values"—, and That collective feeling and thought at that key moment, that fact, was the flame that lit and motivated the slow but persistent advance towards the south in that process of recovery of the lost kingdom, the so-called Reconquista, towards the definitive unity of Christian kingdoms, concluded with the capture of Granada in 1492.

 [T-shirt proposed by Elena Arquimbau]

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