Today we bring Eros, as a mediator of initiatory paths, but do not confuse them with the paths of the metaphysics of sex, as a form of conquest, liberation and empowerment in a couple who travel the alchemical and hermetic path of the left hand, which in a The future will undoubtedly give a great design on sexual magic and androgyny in the primordial race, today we just want to make a small approximation to sexuality in the ancient Greek world.

To say of the Greeks that they were neither homosexual nor heterosexual as we understand it today, the thing happened differently. We cannot approach gender and open and free sexuality in Greek Antiquity with the current modern parameters, with prejudices of a puritan or Judeo-Christian mentality. Let's say that the Greeks were something like "heteroflexible" - today we would say bisexual - although this was not exactly.

Ancient Greece was, in addition to the cradle of democracy and Western philosophy, a society dedicated to the cult of beauty and the body as an expression of values ​​closely related to areté (virtue), with the perfection of the universe and the perfect proportions of the gods — the more like them the more you were blessed. Her ideal of beauty was masculine, this is so. The representation of the naked female body was reserved, almost exclusively, for the worship of divinities associated with human or earth fertility - there we have the goddess of love Aphrodite - and the erotic scenes reproduced in symposia glasses. The woman in general was subordinate to the superiority of the male and beautiful women were often seen as femme fatale, dangerous women, remember the Greek tragedy with Helen of Troy and Medea.

Sexual relations were directed either to perpetuate the species (legitimacy, inheritance, lineages) within the fundamental institution of marriage for the Greeks or to satisfy masculine needs - both with women, slaves, prostitutes and hetairas who, unlike Of the pornai, they were those free culturally and intellectually prepared “company ladies” whose opinions and beliefs were highly respected by society and who participated in Greek symposia, also offering dances, music and conversation of a level—, and not always as complement of love - although it is true that there were couples who loved each other, especially before marriage - because that spiritual stage did not usually transcend with a woman, and love as sex between two men was considered a higher experience than anything it had to do with sexual deviations or depraved acts.

Homosexual relationships - infrequent in women, perhaps due to lack of documentation, the representation of the poet Sappho of Lesbos comes to mind - did not alter the social status or prestige of the people, the encounters between two men were oriented towards training of young people, as a pedagogical practice, a preparation for virility as an incitement to adulthood, never contemplated in the family life that was the fundamental center of society. Eraste and Erómenos, mature (active part) and experienced in "spiritual greatness" with a protective mission, taught their lovers, the young (passive part) to improve, overcome, know how to govern, indoctrinate themselves in the life of the military ... gifts that would serve them to his entire life, in return the ephebo offered his beauty and his commitment, in a friendship that was forged by fire. The Platonic ideal was a non-carnal spiritual relationship, although Greek art, as we have represented, shows us these physical relationships (where the virtue and strength of the mature man was transmitted to the young man through different sexual acts). For this reason, relationships between young people who only sought mere physical pleasure were socially rejected — just as frowned upon were relationships that were perpetuated between older adults.

Obviously with this design we do not want to apologize for anything, much less offend or degrade anyone. Here is simply that we have collected images of vessels and ceramics as a graphic sample of sexual conception in Ancient Greece, seen with today's eyes, they will say freer in many aspects and more degrading in others, in any case just show a vision ancestral normalized in the Hellenic world.

How to approach witchcraft and not fall into the imaginary that we have about it throughout history since its demonization as an independent woman, enemy of the people through inquisitorial texts such as that written by monks in the Malleus Maleficarum through the persecution of the Church, the witch hunt, the romantic corruption, the self-serving deformation of the Victorian bourgeois society fearful of women's liberation, the morbid, the superstition and the occultism of modernity to pop culture where we find that evil witch of covens with goats eater of children.

An ancestral look returns us to the primordial tradition, esotericism and occult sciences, to the sorceress as a woman of power, free and independent, connoisseur of magical wisdom, botanical and healing knowledge, who approaches the darkness to do the well, transmitted that knowledge from generation to generation as a closed circle through the three ages of women (the young, the mature and the old).

If we have to look for references, there we have the mothers of all the witches of pagan times such as Circe, Medea and Cassandra, those visionaries or women watchmen who accompanied the hero, endowed with magical knowledge, or the mysterious women of the medieval forest as priestesses and epicenter of knowledge, or the witchcraft manifestations of the 19th century (represented in certain pre-Raphaelite paintings) as the last vestiges of a magical and sapiential society.

The history of witchcraft is stained with blood, dark rites and crimes, terrible trials, persecutions, intolerance, scapegoats... Faced with black clichés and legends, let's stay with the true origin of witchcraft, a good time to remember and recover the lessons and virtues of ancient wisdom and magical thinking.

Disciplined centurions, medieval knights, furious Spartans, lethal Vikings, honorable samurai, untamed Celts, courageous Thirds, legendary native Indians, fearsome Aztecs... Warriors of the world who have changed history. Idealists and mercenaries faced almost always in cruel and unjust wars. Acts of heroism, bravery and honour are sullied by the most despicable and ruthless actions... The warrior by his activity of Justice, Fortitude and Temperance, has to avoid the effects of the wars, not to invent, to promote, to foment and to live of them.

There, at the end of the known land, there is nothing but darkness and fearsome demonic creatures… The Delphic oracle tells that the hero of Greek mythology Heracles (Hercules in Roman) to purify his crimes and compensate before the gods should perform 12 tasks requested by King Eurystheus himself in extremely remote places. His last job took him to the ends of the most distant lands never trod by man. There he fought and killed a 2-headed monster, and placed to signal that he had been at the end of the world two imposing columns (which separated the mountain range from the old and the new world), along with the inscription Non Terrae Plus Ultra, the last frontier of sailors, where not even the most daring sailor should dare to cross...

There, at the end of the known land, there is nothing but darkness and fearsome demonic creatures… The Delphic oracle tells that the hero of Greek mythology Heracles (Hercules in Roman) to purify his crimes and compensate before the gods should perform 12 tasks requested by King Eurystheus himself in extremely remote places. His last job took him to the ends of the most distant lands never trod by man. There he fought and killed a 2-headed monster, and placed to signal that he had been at the end of the world two imposing columns (which separated the mountain range from the old and the new world), along with the inscription Non Terrae Plus Ultra, the last frontier of sailors, where not even the most daring sailor should dare to cross...

Zeppelian reminiscences aside: P, this design is inspired by the 3-time Olympian athlete Alessandra Aguilar and one of the greatest marathoners of all time. In the image the mythological goddess Niké (Νίκη) holding a Laurel wreath, which presided over athletic competitions and military disputes; and the 490bc dates referring to the story behind the soldier who ran 42km from Marathon to Athens to announce Victory! (Nike!) And 776bc in which the Olympics (Olympiakoi Agones) in Ancient Greece was inaugurated in the town of Olympia, the most important sanctuary of the god Zeus to establish a sacred truce among the warlike cops. Athletics, pancracy, jumping, expedition racing, discus and javelin throwing were the main sports.

Let yourself be seduced by the magical world of Greek mythology. An odyssey awaits you in the land of ancient Greek gods and goddesses, heroines and heroes, secret sites, Homeric poems ...  if you see on the horizon a huge wooden horse, do not be fooled, it is the Achaeans, who they hide inside to enter through the majestic gate of the fortified city of Troy, it could be the end ....the Greeks do not forget that Paris fell madly in love with Helena of Sparta and kidnapped her. There it all began, the war against the Trojans, the heroes of Antiquity, Achilles, Áyax, Héctor ... the epics stories of the Iliad...

Herodotus left written about the heroism of the 300 Spartan headed by King Leonidas who were able with their sacrifice —in front of the Persians of Xerxes I in the Thermopylae— to block the Asians' path, giving the Greeks the opportunity to organize and save democracy in Salamis. When we approach myth and legend, sometimes propaganda moves us too far from reality. We cannot forget that within the slave society of Ancient Greece, Spartan society was extremely cruel, controlling and oppressive, whose citizens were devoted to the "art of war" thanks to the invaluable "help" of the ilotas, "slaves" who supported and served the Spartans until they finally rebelled and were released there by 371a.c