Once the Cantabrian wars were over, the conquest of the Empire in Iberia came to an end. Some 200 years of colonization and Romanization, a process of assimilation of the Roman way of life and its culture, in which the barbarian pre-Roman peoples fought and heroically resisted.

The adhesion and seduction of the barbarian peoples —Celtic Hispania— to Rome was a natural process. The society of leaderships - of merit, of lineage, of heroic ethics - of the Indo-European world - aristocratic, hierarchical and warrior -, that backbones the Iberian barbarians, find in Rome and its metaphysical ideal of Imperium - with the cult, oath and loyalty to the emperor, who along with heroes and kings are pontifex, bridges between heaven and earth — a continuation of his spiritual and warlike worldview, but on a much higher political scale.

Roman Hispania would comprise from the Roman landing in Ampurias between 218 BC. and the beginning of the V century with the Visigothic entry. It was fundamental for the Empire and the cradle of great rulers.

The Romans called the Iberian Peninsula Hispania. Etymologically there are many theories, from meaning it as the land of rabbits, or I-span-ya to the northern land (of Africa), where the Phoenicians lived. Or land where metals are forged, or even called Hispalis, a word of Iberian origin that would mean the western city. Although for the Greeks it would initially be the Ophioússa Peninsula, land of snakes.

Ispania the Romans listened to the Carthaginians and Iber what the Greeks heard. These finally named it Iberia. The Romans stayed with Hispania.

February 27, 380, the emperor Theodosius abolished the religion and festival of the Sun Invictus by the famous edict of Thessalonica. Until then the Romans worshiped the Sun god during the Republic, and with greater prominence in the Imperial era, since the gradual entry of different religions of salvation of monotheistic tendency, such as Christianity and Mithrism, was giving greater weight to the power of the star king, the one who conquered the darkness ...

Emperor Aurelian made it official on December 25 as the day of the birth of the Undefeated Sun (the main divinity of the Roman pantheon at that time) back in the year 274 and later Juliano the Apostate would declare Helios (Greek equivalent) as the only divinity, and would try to prevent the spread of growing Christianity.

Finally, during a long process of syncretism, both the Festival of the Birth of the Invincible Sun "Dies Natalis Solis Invicti" held after the Winter Solstice, when daylight increased, as well as many other acts and celebrations were gradually reconverted. Paganism would come to an end, a new stage would begin with a victorious sun reborn in the arms of a Galilean.

October 12, Hispanic Day. They have asked us to launch something commemorative for the date and we have been thinking about how to approach the Conquest without being dragged by the Black Legend or by chauvinism or irrational nationalism, an exclusive jingoism in many cases. Nor did we want to go into details and nuances about the differences between civilizing empires versus predatory empires, or disquisitions about rights, cruelties and benefits.

This memory is perhaps more metaphysical and spiritual, an approach oriented to the epic, the deed, the courage, the patriotism and the identity of the peoples. Influence the epic of some brave men whose gods were born in Extremadura and who, dressed in swords, breastplate and morion, jumped into the sea seeking glory and fortune for their Empire, and who faced other mythical and honorable giants, strong and powerful warriors protected by their gods of War and the Sun, who worshiped the rain and the stars in their imposing temples and who fought fiercely while beating their drums carved in ahuehuete wood - Huehuetl is thought to have a mystical and ancestral sense , because its sound is related to the heart of the earth.

Thinking about the dimensions of that historic journey and that encounter, remembering those men on both sides of the pond is what we have intended with this design, a look at that world in which life hung by a thread, and in that being, courage, honor and spirit had a value that today we can hardly imagine.

It is a search and an encounter, when all the paths lead us to self-flagellation, to tricks and patches that have little or nothing to do with the true meaning of life, when accelerated technique envelops us and misleads us, camouflages the way, when the ruins of the past are those ruins that inspire but do not resurrect, then it seems that nothing remains, but the sterile contemplation of decadent nihilism or the addition / addiction to the "heroine" of modernity. Here then is a path to travel the world, our world, an awakening of self-knowledge, the path of the left hand for the kali yuga, an opportunity to conquer oneself, to taste the poison and turn it into an elixir, to be a test and an example. in front of our friends and enemies, to muddy us, to make mistakes and to rectify if necessary. Make the Dark Ages our stage and theater of life, our forger of character, our spiritual nourishment — along with the sources of perennial wisdom — to overcome, conquer and liberate ourselves.

Fateful times we have had to live, a great darkness hangs over the spirit. In the midnight of the world the fight against the dragon is waiting for you. Arm yourself with strength and wisdom for the inner conquest, remember that the ego absorbs you, its tyranny controls you, do not back down, it is your heroic moment, the most vital and important in your life ...

[Sophia Perennis Collection]

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

We all know the Golden legend where Saint George must save a princess who is going to be sacrificed as a tribute so that a Dragon allows the people to drink from the fountain. When Saint George kills him, the citizens decide to leave their paganism to embrace Christianity. It is said that this story is a translation of the Greek myth of Perseus and Andromeda, or of Hercules and Hesione, others relate it to the Egyptian god Horus as the horseman who surpassed Evil with his spear. In any case it is clear that early Christianity adapted the new religion to the existing one, to the old beliefs.

In this process of syncretism, Christian mythology presents us with Saint George as the white knight of the Church and the dragon would be the image of Satan, idolatry and paganism. His image was venerated for centuries, in 494 Georgios - that Roman soldier executed in Nicomedia for his faith in the time of Emperor Diocletian - is canonized and venerated ever since. His cult spread, he became patron of knights and soldiers (miles Christi), protector of the crusaders. During the reconquest, Pedro I and later Jaime I of Aragon appeared to him to help in the fight against the Muslims in the battles of Alcoraz and El Puig respectively.

From here we are left with the symbols of the knight of courage and the wisdom of the dragon, discarding that representation as an incarnation of evil, as a relative of the serpent.

We all know the Golden legend where Saint George must save a princess who is going to be sacrificed as a tribute so that a Dragon allows the people to drink from the fountain. When Saint George kills him, the citizens decide to leave their paganism to embrace Christianity. It is said that this story is a translation of the Greek myth of Perseus and Andromeda, or of Hercules and Hesione, others relate it to the Egyptian god Horus as the horseman who surpassed Evil with his spear. In any case it is clear that early Christianity adapted the new religion to the existing one, to the old beliefs.

In this process of syncretism, Christian mythology presents us with Saint George as the white knight of the Church and the dragon would be the image of Satan, idolatry and paganism. His image was venerated for centuries, in 494 Georgios - that Roman soldier executed in Nicomedia for his faith in the time of Emperor Diocletian - is canonized and venerated ever since. His cult spread, he became patron of knights and soldiers (miles Christi), protector of the crusaders. During the reconquest, Pedro I and later Jaime I of Aragon appeared to him to help in the fight against the Muslims in the battles of Alcoraz and El Puig respectively.

From here we are left with the symbols of the knight of courage and the wisdom of the dragon, discarding that representation as an incarnation of evil, as a relative of the serpent.

Bringing in the work of Robert E. Howard was almost a must here at Culters. Heroic Fantasy and Conan has accompanied us since we were children, at home we devoured, in addition to the adult comics of Totem and Cimoc, the super conan and their wild sword. The cimero barbarian, that rogue-air hero who took on Lovecraftian creatures, demonic armies and sorcerers, had us completely overshadowed. Today we are especially interested in how much of ancient cultures there is built in all that Hyborio universe - which emerged after the sinking of Atlantis - of his stories. Serve this "Conan in heroic times. The Era of Hiboria" as a tribute and reminiscence of all that.

Landscapes of shady lands, winds from the north, peaks and hills surrounded by lush forests populated by tribes and warriors fighting in neighboring countries that take us to a lost era before the Neolithic. In those places we see European barbarians similar to the Celts, Goths, Vikings, Vandals, Cossacks, Tatars ... Druids, mercenaries, invaders, thieves, pirates, sailors, adventurers, savages, kings, civilizations, regions, mountains, jungle and desert, distant places and mythical, mysticism and Nordic beliefs, medieval culture ...

We find a perfectly recognizable cosmos, from north to south, from the West to the Far East, emerged after the decline of the precataclysmic civilizations - dominated by the kingdoms of Kamelia, Valusia, Verulia, Grondar, Thule and Commoria -, after wars, migrations and crossbreeds. Different places populated by the most varied races of the Hyboria era. Here are some interpretations:

Zingara —located on the Iberian peninsula, land of knighthood, chivalry, nobility and conspiracies, you travel through Celtiberian Spain but also Imperial Spain in other passages—, Vanaheim —Nordic town with red hair whose name comes from the Scandinavian god Vanir—, Asgard —Norse inhabitants with blond hair whose name comes from the Scandinavian god Aesir—, Nordheim —constituted by Vanaheim and Asgard, is a snow-covered Norse territory inhabited by peoples similar to Germans and Vikings—, Hyperborea —whose name evokes the mythical land of mythology. Greek, inhabitants of Norse culture that shows similarities with the Finns, Varangians and Russians—, Cimmeria —the land of Conan, the Cimmerians are the ancestors of the Celts, Gauls and Scythians—, Aquilonia —one of the most powerful, cultural and militarily, led by Conan, located perhaps in France, Great Britain or Italy - Argos and Nemedia - along with Aquilonia arose after the collapse of the Acheron Empire by the invasions barbarian ions (similarity to the Roman Empire) -, the Pictish lands - the tattooed Pictish inhabitants of northern Britain, with similarities to Native Americans versus European settlers or perhaps indigenous peoples versus Roman invasions of Britani -, Brithunia - similar to Roman Britain—, the Empire of Acheron —whose name was brought from the Greek mythology of Acheron, one of the rivers of Hades—, Zamora —browned and dark-eyed, semi-made people who recall the inhabitants of Ancient Palestine. , an exotic town of dances and initiation rites—, Stygia —a territory whose inhabitants are versed in magic and secret arcana, worshipers of Set, the Egyptian god—, Shem —Semitic references, resembling Arabia, Palestine, the Middle East, deserts with nomads and city-states, people from whom Phoenicians, Hebrews, Assyrians, Canaanites ... descended, protectorate of Styigia, like Palestine with respect to Egypt, Khitai - think of traditional China - Yamatai - a fantastic and stereotypical Japan—, Ophir —a desert kingdom similar to Arabic, a reference to the biblical region Ofir, perhaps referring to Africa or India, famous for its gold—, Black Kingdoms —primitive African natives—, Corinthia —populated by navigators and philosopher, similar to the land of the ancient Greeks—…

Bringing in the work of Robert E. Howard was almost a must here at Culters. Heroic Fantasy and Conan has accompanied us since we were children, at home we devoured, in addition to the adult comics of Totem and Cimoc, the super conan and their wild sword. The cimero barbarian, that rogue-air hero who took on Lovecraftian creatures, demonic armies and sorcerers, had us completely overshadowed. Today we are especially interested in how much of ancient cultures there is built in all that Hyborio universe - which emerged after the sinking of Atlantis - of his stories. Serve this "Conan in heroic times. The Era of Hiboria" as a tribute and reminiscence of all that.

Landscapes of shady lands, winds from the north, peaks and hills surrounded by lush forests populated by tribes and warriors fighting in neighboring countries that take us to a lost era before the Neolithic. In those places we see European barbarians similar to the Celts, Goths, Vikings, Vandals, Cossacks, Tatars ... Druids, mercenaries, invaders, thieves, pirates, sailors, adventurers, savages, kings, civilizations, regions, mountains, jungle and desert, distant places and mythical, mysticism and Nordic beliefs, medieval culture ...

We find a perfectly recognizable cosmos, from north to south, from the West to the Far East, emerged after the decline of the precataclysmic civilizations - dominated by the kingdoms of Kamelia, Valusia, Verulia, Grondar, Thule and Commoria -, after wars, migrations and crossbreeds. Different places populated by the most varied races of the Hyboria era. Here are some interpretations:

Zingara —located on the Iberian peninsula, land of knighthood, chivalry, nobility and conspiracies, you travel through Celtiberian Spain but also Imperial Spain in other passages—, Vanaheim —Nordic town with red hair whose name comes from the Scandinavian god Vanir—, Asgard —Norse inhabitants with blond hair whose name comes from the Scandinavian god Aesir—, Nordheim —constituted by Vanaheim and Asgard, is a snow-covered Norse territory inhabited by peoples similar to Germans and Vikings—, Hyperborea —whose name evokes the mythical land of mythology. Greek, inhabitants of Norse culture that shows similarities with the Finns, Varangians and Russians—, Cimmeria —the land of Conan, the Cimmerians are the ancestors of the Celts, Gauls and Scythians—, Aquilonia —one of the most powerful, cultural and militarily, led by Conan, located perhaps in France, Great Britain or Italy - Argos and Nemedia - along with Aquilonia arose after the collapse of the Acheron Empire by the invasions barbarian ions (similarity to the Roman Empire) -, the Pictish lands - the tattooed Pictish inhabitants of northern Britain, with similarities to Native Americans versus European settlers or perhaps indigenous peoples versus Roman invasions of Britani -, Brithunia - similar to Roman Britain—, the Empire of Acheron —whose name was brought from the Greek mythology of Acheron, one of the rivers of Hades—, Zamora —browned and dark-eyed, semi-made people who recall the inhabitants of Ancient Palestine. , an exotic town of dances and initiation rites—, Stygia —a territory whose inhabitants are versed in magic and secret arcana, worshipers of Set, the Egyptian god—, Shem —Semitic references, resembling Arabia, Palestine, the Middle East, deserts with nomads and city-states, people from whom Phoenicians, Hebrews, Assyrians, Canaanites ... descended, protectorate of Styigia, like Palestine with respect to Egypt, Khitai - think of traditional China - Yamatai - a fantastic and stereotypical Japan—, Ophir —a desert kingdom similar to Arabic, a reference to the biblical region Ofir, perhaps referring to Africa or India, famous for its gold—, Black Kingdoms —primitive African natives—, Corinthia —populated by navigators and philosopher, similar to the land of the ancient Greeks—…

Bringing in the work of Robert E. Howard was almost a must here at Culters. Heroic Fantasy and Conan has accompanied us since we were children, at home we devoured, in addition to the adult comics of Totem and Cimoc, the super conan and their wild sword. The cimero barbarian, that rogue-air hero who took on Lovecraftian creatures, demonic armies and sorcerers, had us completely overshadowed. Today we are especially interested in how much of ancient cultures there is built in all that Hyborio universe - which emerged after the sinking of Atlantis - of his stories. Serve this "Conan in heroic times. The Era of Hiboria" as a tribute and reminiscence of all that.

Landscapes of shady lands, winds from the north, peaks and hills surrounded by lush forests populated by tribes and warriors fighting in neighboring countries that take us to a lost era before the Neolithic. In those places we see European barbarians similar to the Celts, Goths, Vikings, Vandals, Cossacks, Tatars ... Druids, mercenaries, invaders, thieves, pirates, sailors, adventurers, savages, kings, civilizations, regions, mountains, jungle and desert, distant places and mythical, mysticism and Nordic beliefs, medieval culture ...

We find a perfectly recognizable cosmos, from north to south, from the West to the Far East, emerged after the decline of the precataclysmic civilizations - dominated by the kingdoms of Kamelia, Valusia, Verulia, Grondar, Thule and Commoria -, after wars, migrations and crossbreeds. Different places populated by the most varied races of the Hyboria era. Here are some interpretations:

Zingara —located on the Iberian peninsula, land of knighthood, chivalry, nobility and conspiracies, you travel through Celtiberian Spain but also Imperial Spain in other passages—, Vanaheim —Nordic town with red hair whose name comes from the Scandinavian god Vanir—, Asgard —Norse inhabitants with blond hair whose name comes from the Scandinavian god Aesir—, Nordheim —constituted by Vanaheim and Asgard, is a snow-covered Norse territory inhabited by peoples similar to Germans and Vikings—, Hyperborea —whose name evokes the mythical land of mythology. Greek, inhabitants of Norse culture that shows similarities with the Finns, Varangians and Russians—, Cimmeria —the land of Conan, the Cimmerians are the ancestors of the Celts, Gauls and Scythians—, Aquilonia —one of the most powerful, cultural and militarily, led by Conan, located perhaps in France, Great Britain or Italy - Argos and Nemedia - along with Aquilonia arose after the collapse of the Acheron Empire by the invasions barbarian ions (similarity to the Roman Empire) -, the Pictish lands - the tattooed Pictish inhabitants of northern Britain, with similarities to Native Americans versus European settlers or perhaps indigenous peoples versus Roman invasions of Britani -, Brithunia - similar to Roman Britain—, the Empire of Acheron —whose name was brought from the Greek mythology of Acheron, one of the rivers of Hades—, Zamora —browned and dark-eyed, semi-made people who recall the inhabitants of Ancient Palestine. , an exotic town of dances and initiation rites—, Stygia —a territory whose inhabitants are versed in magic and secret arcana, worshipers of Set, the Egyptian god—, Shem —Semitic references, resembling Arabia, Palestine, the Middle East, deserts with nomads and city-states, people from whom Phoenicians, Hebrews, Assyrians, Canaanites ... descended, protectorate of Styigia, like Palestine with respect to Egypt, Khitai - think of traditional China - Yamatai - a fantastic and stereotypical Japan—, Ophir —a desert kingdom similar to Arabic, a reference to the biblical region Ofir, perhaps referring to Africa or India, famous for its gold—, Black Kingdoms —primitive African natives—, Corinthia —populated by navigators and philosopher, similar to the land of the ancient Greeks—…

Bringing in the work of Robert E. Howard was almost a must here at Culters. Heroic Fantasy and Conan has accompanied us since we were children, at home we devoured, in addition to the adult comics of Totem and Cimoc, the super conan and their wild sword. The cimero barbarian, that rogue-air hero who took on Lovecraftian creatures, demonic armies and sorcerers, had us completely overshadowed. Today we are especially interested in how much of ancient cultures there is built in all that Hyborio universe - which emerged after the sinking of Atlantis - of his stories. Serve this "Conan in heroic times. The Era of Hiboria" as a tribute and reminiscence of all that.

Landscapes of shady lands, winds from the north, peaks and hills surrounded by lush forests populated by tribes and warriors fighting in neighboring countries that take us to a lost era before the Neolithic. In those places we see European barbarians similar to the Celts, Goths, Vikings, Vandals, Cossacks, Tatars ... Druids, mercenaries, invaders, thieves, pirates, sailors, adventurers, savages, kings, civilizations, regions, mountains, jungle and desert, distant places and mythical, mysticism and Nordic beliefs, medieval culture ...

We find a perfectly recognizable cosmos, from north to south, from the West to the Far East, emerged after the decline of the precataclysmic civilizations - dominated by the kingdoms of Kamelia, Valusia, Verulia, Grondar, Thule and Commoria -, after wars, migrations and crossbreeds. Different places populated by the most varied races of the Hyboria era. Here are some interpretations:

Zingara —located on the Iberian peninsula, land of knighthood, chivalry, nobility and conspiracies, you travel through Celtiberian Spain but also Imperial Spain in other passages—, Vanaheim —Nordic town with red hair whose name comes from the Scandinavian god Vanir—, Asgard —Norse inhabitants with blond hair whose name comes from the Scandinavian god Aesir—, Nordheim —constituted by Vanaheim and Asgard, is a snow-covered Norse territory inhabited by peoples similar to Germans and Vikings—, Hyperborea —whose name evokes the mythical land of mythology. Greek, inhabitants of Norse culture that shows similarities with the Finns, Varangians and Russians—, Cimmeria —the land of Conan, the Cimmerians are the ancestors of the Celts, Gauls and Scythians—, Aquilonia —one of the most powerful, cultural and militarily, led by Conan, located perhaps in France, Great Britain or Italy - Argos and Nemedia - along with Aquilonia arose after the collapse of the Acheron Empire by the invasions barbarian ions (similarity to the Roman Empire) -, the Pictish lands - the tattooed Pictish inhabitants of northern Britain, with similarities to Native Americans versus European settlers or perhaps indigenous peoples versus Roman invasions of Britani -, Brithunia - similar to Roman Britain—, the Empire of Acheron —whose name was brought from the Greek mythology of Acheron, one of the rivers of Hades—, Zamora —browned and dark-eyed, semi-made people who recall the inhabitants of Ancient Palestine. , an exotic town of dances and initiation rites—, Stygia —a territory whose inhabitants are versed in magic and secret arcana, worshipers of Set, the Egyptian god—, Shem —Semitic references, resembling Arabia, Palestine, the Middle East, deserts with nomads and city-states, people from whom Phoenicians, Hebrews, Assyrians, Canaanites ... descended, protectorate of Styigia, like Palestine with respect to Egypt, Khitai - think of traditional China - Yamatai - a fantastic and stereotypical Japan—, Ophir —a desert kingdom similar to Arabic, a reference to the biblical region Ofir, perhaps referring to Africa or India, famous for its gold—, Black Kingdoms —primitive African natives—, Corinthia —populated by navigators and philosopher, similar to the land of the ancient Greeks—…

Bringing in the work of Robert E. Howard was almost a must here at Culters. Heroic Fantasy and Conan has accompanied us since we were children, at home we devoured, in addition to the adult comics of Totem and Cimoc, the super conan and their wild sword. The cimero barbarian, that rogue-air hero who took on Lovecraftian creatures, demonic armies and sorcerers, had us completely overshadowed. Today we are especially interested in how much of ancient cultures there is built in all that Hyborio universe - which emerged after the sinking of Atlantis - of his stories. Serve this "Conan in heroic times. The Era of Hiboria" as a tribute and reminiscence of all that.

Landscapes of shady lands, winds from the north, peaks and hills surrounded by lush forests populated by tribes and warriors fighting in neighboring countries that take us to a lost era before the Neolithic. In those places we see European barbarians similar to the Celts, Goths, Vikings, Vandals, Cossacks, Tatars ... Druids, mercenaries, invaders, thieves, pirates, sailors, adventurers, savages, kings, civilizations, regions, mountains, jungle and desert, distant places and mythical, mysticism and Nordic beliefs, medieval culture ...

We find a perfectly recognizable cosmos, from north to south, from the West to the Far East, emerged after the decline of the precataclysmic civilizations - dominated by the kingdoms of Kamelia, Valusia, Verulia, Grondar, Thule and Commoria -, after wars, migrations and crossbreeds. Different places populated by the most varied races of the Hyboria era. Here are some interpretations:

Zingara —located on the Iberian peninsula, land of knighthood, chivalry, nobility and conspiracies, you travel through Celtiberian Spain but also Imperial Spain in other passages—, Vanaheim —Nordic town with red hair whose name comes from the Scandinavian god Vanir—, Asgard —Norse inhabitants with blond hair whose name comes from the Scandinavian god Aesir—, Nordheim —constituted by Vanaheim and Asgard, is a snow-covered Norse territory inhabited by peoples similar to Germans and Vikings—, Hyperborea —whose name evokes the mythical land of mythology. Greek, inhabitants of Norse culture that shows similarities with the Finns, Varangians and Russians—, Cimmeria —the land of Conan, the Cimmerians are the ancestors of the Celts, Gauls and Scythians—, Aquilonia —one of the most powerful, cultural and militarily, led by Conan, located perhaps in France, Great Britain or Italy - Argos and Nemedia - along with Aquilonia arose after the collapse of the Acheron Empire by the invasions barbarian ions (similarity to the Roman Empire) -, the Pictish lands - the tattooed Pictish inhabitants of northern Britain, with similarities to Native Americans versus European settlers or perhaps indigenous peoples versus Roman invasions of Britani -, Brithunia - similar to Roman Britain—, the Empire of Acheron —whose name was brought from the Greek mythology of Acheron, one of the rivers of Hades—, Zamora —browned and dark-eyed, semi-made people who recall the inhabitants of Ancient Palestine. , an exotic town of dances and initiation rites—, Stygia —a territory whose inhabitants are versed in magic and secret arcana, worshipers of Set, the Egyptian god—, Shem —Semitic references, resembling Arabia, Palestine, the Middle East, deserts with nomads and city-states, people from whom Phoenicians, Hebrews, Assyrians, Canaanites ... descended, protectorate of Styigia, like Palestine with respect to Egypt, Khitai - think of traditional China - Yamatai - a fantastic and stereotypical Japan—, Ophir —a desert kingdom similar to Arabic, a reference to the biblical region Ofir, perhaps referring to Africa or India, famous for its gold—, Black Kingdoms —primitive African natives—, Corinthia —populated by navigators and philosopher, similar to the land of the ancient Greeks—…