The image corresponds to a staff found in Numancia, a symbol of distinction, centrality and duality represented by a rider who, on the back of two horses with concentric circles (the sun in its nocturnal journey), carries severed heads.

Horses are very present in Iberia both in grazing and hunting for their strength and endurance, as in offerings to the god of war Cosus to take over their equine virtues or in sacrifices for warriors to take them on their travels. to the underworld.

In the Celtiberian world the initiation rite of cutting off the enemy's heads was practiced because they believed that it was where the soul resided, the vital essence of the person who survived when he died and transmitted his qualities to them, in addition to immortality.

As for the signs deciphered and translated to "UNS KELTEKIAO" they refer to an inscription that appeared on a ceramic vase from Liria, which they have interpreted as "Celtic Union".

The fierce resistance against the invader of the pre-Roman peoples comes from afar. In the peninsula, the process concluded with the Cantabrian wars (19 BC), where in a bloody war the Romans fought against the Celtic peoples of the North (the Asturian and Cantabrian tribes). Iberia was the scene of wars of occupation, subjugation, strategic alliances, cultural assimilation, interests and betrayals from Carthage -Sagunto- and subsequent rebellions, in the development of Romanization, such as the ilergetes and Iberians (submitted in 190 BC), the resistance Turdetanas, Celtíberas or Lusitanas with Viriato at the head ...

These Celtic or Proto-Celtic peoples (Galaicos, Cantabrians, Astures, Belos, Titos and Pelendones, Arévacos, Vacceos, Celtíberos, Vettones, Carpetanos, Lusitanos) who, from the end of the Bronze Age and throughout the Iron Age, shared the culture of the Urn Fields - use of iron for weapons and cremation of their dead -, beliefs, gods, cults, magic, forests, devotion to ritual warfare and duels, resisted - fighting and defending in its fortified Castros - until the Roman Empire put an end to the Spanish Celtic or Celtiberia by destroying the last Celtiberian bastion (Numancia).

The fierce resistance against the invader of the pre-Roman peoples comes from afar. In the peninsula the process concluded with the Cantabrian wars (19 BC), where in a bloody war the Romans fought against the Celtic peoples of the North (the Asturian and Cantabrian tribes). Iberia was the scene of wars of occupation, subjugation, strategic alliances, cultural assimilation, interests and betrayals from Carthage -Sagunto- and subsequent rebellions, in the development of Romanization, such as the ilergetes and Iberians (submitted in 190 BC), the resistance Turdetanas, Celtiberians or Lusitanas with Viriato at the head...

These Celtic or Proto-Celtic peoples (Galaicos, Cantabrians, Astures, Belos, Titos and Pelendones, Arévacos, Vacceos, Celtíberos, Vettones, Carpetanos, Lusitanos) that, from the end of the Bronze Age and throughout the Iron Age, chose the cultural influence of the Urn Fields - use of iron for weapons and incineration of their dead - (especially the northwest quadrant of the peninsula), shared beliefs, gods, cults, magic, forests, devotion to ritual warfare and the duels, and they resisted - fighting and defending themselves in their fortified Forts - until the Roman Empire put an end to the Spanish Celtic or Celtiberia by destroying the last vital stronghold of Celtiberian heroic resistance in 139 BC (Numancia).

This is our tribute to the fearsome and honorable lady samurai of Japan, Onna-Bugeisha.

Warriors like the courageous Empress Jingū who defied the social norms of her time, or the menacing and loyal Tomoe Gozen, who according to the 13th century poem the Song of Heike, was a reckless horsewoman to whom neither the bravest horse nor the most rugged land could intimidate, capable of, with her skillful handling of the sword and the arch, face a thousand fierce warriors; or the intrepid Nakato Takeko who instructed in the martial arts of the naginata, directed the famous independent female unit Joshitai and before being captured by her enemies, asked her sister to cut off her head, following the Seppuku ritual.

The image of the shirt is an adaptation of Tomoe Gozen portrayed by Kikuchi Yōsai.

Those lively merchants from Syria who, guided by the stars and their magnificent boats, sailed the Mediterranean around 1000 BC until they reached the south of the Iberian Peninsula. They exchanged their products ... spices, oil and wine with the indigenous peoples in exchange for silver, among their most famous settlements is Gadir (current Cádiz) and one of their greatest legacy the alphabet

A legend from New Zealand tells the story of Tamanuitera (The Sun in Maori) He rode so fast through the mountain ranges of the sky that man barely had time to perceive it, until one day Maui, the intrepid and ingenious demigod of the sea, braided a lock of his sister’s hair along with green thread to sew it as a net, then he went to the ends of the earth to capture the Sun. Once there, after a tedious fight, Tamanuitera promised to pass through the skies more slowly to give the men time to enjoy and take advantage of its important benefits. Some say that the rays of the Sun are the magic ropes that once tried to catch Tamanuitera.

In Maori culture the Sun represents heat and energy, eternity as a source of light, intelligence, leadership, wealth, greatness, passion, desire, determination in life, power and protection.

There is a legend that says that in a place in the Pacific called Teaoturoa, lived a handsome warrior named Mataora who was captivated by the exotic and irresistible beauty of a woman from the underworld, daughter of Uetonga, descendant of the goddess of the night and the god of earthquakes and named Niwareka. He was so captivated that he asked her to marry him and she agreed to stay in his world. Things worked until one unfortunate day the brave Mataora went into a rage and violently mistreated the princess. Drowning in her sadness, she left her husband, returning to Rarohenga, to her old underground life. The clouds wept, the trees screamed, the rivers bled ... the warrior's supplications echoed in the depths of the earth. Sorry for his actions, he descended in search of his beloved to implore her forgiveness. Uetonga, who recognized him when he arrived, gave a great laugh because the hero's body paint had been erased along the way. Naked with shame, he exposed his pain in tears of regret, to which the merciful King forgave him by permanently tattooing him and showing him the art of Ta Moko. Reconciled, they returned from the afterlife, where they taught generation after generation this traditional Maori tattoo technique from New Zealand.

There is a legend that says that in a place in the Pacific called Teaoturoa, lived a handsome warrior named Mataora who was captivated by the exotic and irresistible beauty of a woman from the underworld, daughter of Uetonga, descendant of the goddess of the night and the god of earthquakes and named Niwareka. He was so captivated that he asked her to marry him and she agreed to stay in his world. Things worked until one unfortunate day the brave Mataora went into a rage and violently mistreated the princess. Drowning in her sadness, she left her husband, returning to Rarohenga, to her old underground life. The clouds wept, the trees screamed, the rivers bled ... the warrior's supplications echoed in the depths of the earth. Sorry for his actions, he descended in search of his beloved to implore her forgiveness. Uetonga, who recognized him when he arrived, gave a great laugh because the hero's body paint had been erased along the way. Naked with shame, he exposed his pain in tears of regret, to which the merciful King forgave him by permanently tattooing him and showing him the art of Ta Moko. Reconciled, they returned from the afterlife, where they taught generation after generation this traditional Maori tattoo technique from New Zealand.

There is a legend that says that in a place in the Pacific called Teaoturoa, lived a handsome warrior named Mataora who was captivated by the exotic and irresistible beauty of a woman from the underworld, daughter of Uetonga, descendant of the goddess of the night and the god of earthquakes and named Niwareka. He was so captivated that he asked her to marry him and she agreed to stay in his world. Things worked until one unfortunate day the brave Mataora went into a rage and violently mistreated the princess. Drowning in her sadness, she left her husband, returning to Rarohenga, to her old underground life. The clouds wept, the trees screamed, the rivers bled ... the warrior's supplications echoed in the depths of the earth. Sorry for his actions, he descended in search of his beloved to implore her forgiveness. Uetonga, who recognized him when he arrived, gave a great laugh because the hero's body paint had been erased along the way. Naked with shame, he exposed his pain in tears of regret, to which the merciful King forgave him by permanently tattooing him and showing him the art of Ta Moko. Reconciled, they returned from the afterlife, where they taught generation after generation this traditional Maori tattoo technique from New Zealand.

Those lively merchants from Syria who, guided by the stars and their magnificent boats, sailed the Mediterranean around 1000 BC until they reached the south of the Iberian Peninsula. They exchanged their products ... spices, oil and wine with the indigenous peoples in exchange for silver, among their most famous settlements is Gadir (current Cádiz) and one of their greatest legacy the alphabet

The first warriors of the Iberian Peninsula were fierce and faithful Iberians who defended with their death their warlords. They were expert riders who carried bows, arrows and the feared Falcata that they used until the end of the battle. Just like the men, the women, in addition to devoting themselves to cattle and cultivation, also participated in the warrior life and in the Assembly where the important decisions of the tribal states were taken. Dedicated to the cult of female deities (symbol of creation & fertility), they also offered rites to the Sun and the Moon. In their temples, adorned with sculptures of sacred wolves —representing the warrior ardour, the cult of the night, the guide in the beyond— magical ceremonies were celebrated by priestesses such as the famous Lady of Elche.

"Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time".

H. P. Lovecraft, poet, essayist, author, an appreciated and misunderstood genius of the cosmic horror novel. Pagan and creator of blasphemous stories of the wonderful and the ridiculous, his oniric dreams have drawn the worst of our nightmares and inspired in the form of worship the curious and daring who have come to read his chilling and delicious work full of outer beings, ancient gods and ancestral monsters... Cthulhu, Shub-Niggurath, Nyarathotep, Azathoth, Yog-Sothoth... As our friend said so well... The oldest and strongest emotion of humankind is fear, and the most oldest and strongest kind of fears is fear of the unknown.

"Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time".

H. P. Lovecraft, poet, essayist, author, an appreciated and misunderstood genius of the cosmic horror novel. Pagan and creator of blasphemous stories of the wonderful and the ridiculous, his oniric dreams have drawn the worst of our nightmares and inspired in the form of worship the curious and daring who have come to read his chilling and delicious work full of outer beings, ancient gods and ancestral monsters... Cthulhu, Shub-Niggurath, Nyarathotep, Azathoth, Yog-Sothoth... As our friend said so well... The oldest and strongest emotion of humankind is fear, and the most oldest and strongest kind of fears is fear of the unknown.

"Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time".

H. P. Lovecraft, poet, essayist, author, an appreciated and misunderstood genius of the cosmic horror novel. Pagan and creator of blasphemous stories of the wonderful and the ridiculous, his oniric dreams have drawn the worst of our nightmares and inspired in the form of worship the curious and daring who have come to read his chilling and delicious work full of outer beings, ancient gods and ancestral monsters... Cthulhu, Shub-Niggurath, Nyarathotep, Azathoth, Yog-Sothoth... As our friend said so well... The oldest and strongest emotion of humankind is fear, and the most oldest and strongest kind of fears is fear of the unknown.

Are you scared? Face your dangers! The courage lies within you. Even if you are afraid, look fear in the face. Give yourself up, be genuine and brave, fight for what you love even if you take risks and sometimes you are misunderstood and do not please everyone. Let nothing frighten you and prevent you from facing your dream. Always play the game, you have a Lionheart.

Courage to face your fears and injustices, like that epic and adventurous medieval knight, descendant of the legendary King Arthur and friend of Robin Hood, the brave monarch Richard I who legend says faced abuse for justice and for his people in times of conspiracies, betrayals, ambitions and expediencies. God knows! In any case, courage!

Disciplined centurions, medieval knights, furious Spartans, lethal Vikings, honorable samurai, untamed Celts, courageous Thirds, legendary native Indians, fearsome Aztecs... Warriors of the world who have changed history. Idealists and mercenaries faced almost always in cruel and unjust wars. Acts of heroism, bravery and honour are sullied by the most despicable and ruthless actions... The warrior by his activity of Justice, Fortitude and Temperance, has to avoid the effects of the wars, not to invent, to promote, to foment and to live of them.

There, at the end of the known land, there is nothing but darkness and fearsome demonic creatures… The Delphic oracle tells that the hero of Greek mythology Heracles (Hercules in Roman) to purify his crimes and compensate before the gods should perform 12 tasks requested by King Eurystheus himself in extremely remote places. His last job took him to the ends of the most distant lands never trod by man. There he fought and killed a 2-headed monster, and placed to signal that he had been at the end of the world two imposing columns (which separated the mountain range from the old and the new world), along with the inscription Non Terrae Plus Ultra, the last frontier of sailors, where not even the most daring sailor should dare to cross...

There, at the end of the known land, there is nothing but darkness and fearsome demonic creatures… The Delphic oracle tells that the hero of Greek mythology Heracles (Hercules in Roman) to purify his crimes and compensate before the gods should perform 12 tasks requested by King Eurystheus himself in extremely remote places. His last job took him to the ends of the most distant lands never trod by man. There he fought and killed a 2-headed monster, and placed to signal that he had been at the end of the world two imposing columns (which separated the mountain range from the old and the new world), along with the inscription Non Terrae Plus Ultra, the last frontier of sailors, where not even the most daring sailor should dare to cross...