Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 50cm wide by 70cm high, with a paper thickness of 0.26mm

"God is in the center, all roads lead to Him."

Design inspired by the pictorial work of the thinker, philosopher and poet Frithjof Schuon, promoter of Sophia Perennis, spokesman for Traditionalism and philosopher of the metaphysical current of Shankara and Plato, advocated the "Transcendent Unity of Religions" as an antidote against nihilism contemporary.

Through his drawings, he shows the embodiment of his thoughts and the ways of life of the traditional cultures of his trips to North Africa, the Near East, India, Egypt and especially the West of North America where he showed his deep interest in life. , the symbols and rites of the Plains Indians, the Redskins.

"God is in the center, all roads lead to Him."

Design inspired by the pictorial work of the thinker, philosopher and poet Frithjof Schuon, promoter of Sophia Perennis, spokesman for Traditionalism and philosopher of the metaphysical current of Shankara and Plato, advocated the "Transcendent Unity of Religions" as an antidote against nihilism contemporary.

Through his drawings, he shows the embodiment of his thoughts and the ways of life of the traditional cultures of his trips to North Africa, the Near East, India, Egypt and especially the West of North America where he showed his deep interest in life. , the symbols and rites of the Plains Indians, the Redskins.

"Evil cannot create anything new, it can only corrupt or ruin what the forces of good have invented or built"

What would our dearest Tolkien think if his work were modified and influenced by modern stupidity, political correctness, language and inclusive usages?

Here is a defense of the teacher against the forces of evil. Our freedom and right to dissent and shout out loud Tolkien untouchable!

***

Not all that glitters is gold,

not all wandering people are lost;

frost does not reach the deep roots,

the vigorous old man does not wither.

From the ashes a fire will rise,

and a light will appear in the shadows;

the uncrowned will be king again,

They will forge the broken sword again.

February 27, 380, the emperor Theodosius abolished the religion and festival of the Sun Invictus by the famous edict of Thessalonica. Until then the Romans worshiped the Sun god during the Republic, and with greater prominence in the Imperial era, since the gradual entry of different religions of salvation of monotheistic tendency, such as Christianity and Mithrism, was giving greater weight to the power of the star king, the one who conquered the darkness ...

Emperor Aurelian made it official on December 25 as the day of the birth of the Undefeated Sun (the main divinity of the Roman pantheon at that time) back in the year 274 and later Juliano the Apostate would declare Helios (Greek equivalent) as the only divinity, and would try to prevent the spread of growing Christianity.

Finally, during a long process of syncretism, both the Festival of the Birth of the Invincible Sun "Dies Natalis Solis Invicti" held after the Winter Solstice, when daylight increased, as well as many other acts and celebrations were gradually reconverted. Paganism would come to an end, a new stage would begin with a victorious sun reborn in the arms of a Galilean.

In the Bhagavad Gita —the epic and wisdom text of the Hindu tradition— through the Dialogue between Prince Arjuna and his charioteer Krishna —conceived before starting the fratricidal war between the Pvas and the Kauravas in the battle of Kurukshetra—, we are They offer keys to inner combat, to overcome suffering, death, the meaning of life, the correct action, the nature of the Divine… it gives us a way and a method for liberation. From the knowledge and mental discernment to identify our true identity with the being, with the transcendent self and not with the impermanent, to the fulfillment of duty through disinterested action until sacrifice in the fire of God. Our being, our thoughts and our actions actively surrendered to the absolute and supreme so that the Ego is dominated and unconditioned.

“Cut the ignorant doubt in your heart with the sword of self-knowledge. Watch your discipline. Get up "

"Free yourself from the anxiety of the things of this world, do not let yourself be governed by the illusions of this perishable world"

"The mind is a faithful friend of man, only when it has been conquered by the spirit"

"No one who does a good job will ever have a bad ending, not here or in the world to come."

It is a search and an encounter, when all the paths lead us to self-flagellation, to tricks and patches that have little or nothing to do with the true meaning of life, when accelerated technique envelops us and misleads us, camouflages the way, when the ruins of the past are those ruins that inspire but do not resurrect, then it seems that nothing remains, but the sterile contemplation of decadent nihilism or the addition / addiction to the "heroine" of modernity. Here then is a path to travel the world, our world, an awakening of self-knowledge, the path of the left hand for the kali yuga, an opportunity to conquer oneself, to taste the poison and turn it into an elixir, to be a test and an example. in front of our friends and enemies, to muddy us, to make mistakes and to rectify if necessary. Make the Dark Ages our stage and theater of life, our forger of character, our spiritual nourishment — along with the sources of perennial wisdom — to overcome, conquer and liberate ourselves.

Fateful times we have had to live, a great darkness hangs over the spirit. In the midnight of the world the fight against the dragon is waiting for you. Arm yourself with strength and wisdom for the inner conquest, remember that the ego absorbs you, its tyranny controls you, do not back down, it is your heroic moment, the most vital and important in your life ...

[Sophia Perennis Collection]

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm