La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

"God is in the center, all roads lead to Him."

Design inspired by the pictorial work of the thinker, philosopher and poet Frithjof Schuon, promoter of Sophia Perennis, spokesman for Traditionalism and philosopher of the metaphysical current of Shankara and Plato, advocated the "Transcendent Unity of Religions" as an antidote against nihilism contemporary.

Through his drawings, he shows the embodiment of his thoughts and the ways of life of the traditional cultures of his trips to North Africa, the Near East, India, Egypt and especially the West of North America where he showed his deep interest in life. , the symbols and rites of the Plains Indians, the Redskins.

Detail of death on horseback: Work by Stefano della Bella entitled "Death on the battlefield" collected in "The five deaths" (1650-1664)

And I looked, and I saw a pale horse; Y. The one who rode it was called Death; and Hades followed him ', says Saint John in Revelation 6: 7-8

Death on the rostrum, from “Another Dance of Death”(1849) Artist: Alfred Rethel

Xilography by Andreas Vesalius. Dissection of the brain layer. In his work "De Humani Corporis Fabrica" ​​· brain anatomy. 1543

Series of engravings made by Hans Holbein around 1523 and collected in his famous work "The Dance of Death" where he shows the conquering and equalizing power of death before all human beings.

Series of engravings made by Hans Holbein around 1523 and collected in his famous work "The Dance of Death" where he shows the conquering and equalizing power of death before all human beings.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

Not everyone who wanders is lost... It could symbolize a compass or the Vegvísir of the giants of the North, but the truth is that it is the adaptation of Da Vinci's Vitruvian man to bring us closer to the Viking anatomy. Clichés aside, were they muscular, tall, blond and blue-eyed, tattooed, with a beard and a big hair that you shit on? Well, yes, with nuances. As for the Scandinavian touch, it must be said that there was also ethnic diversity due to the migrations and abductions around Europe, their strength was that of the multi-faceted farmers who so soon fought, fished or farmed. They were fearful because of their height, the axes, the looting and those "little details" that we have been told about. It must be said that they were no more terrifying and violent than other people or civilizations of the time.

I am lying down, piled up with mine, it is summer, and it's time to finally enjoy the deserved rest. Beside me my companions with an immobile smile and a jaw set in permanent happiness. This time the women and children did not come, they stayed at home. The youngest who is with me is 50 bodies away, he has a sentence of 16. He came because he always wanted to travel the world and now, on his mobile phone from the waist up and down, he spends his days looking towards the sea through the small hole opened between the amasijos, the parapets and the stacked redoubts of those bastions turned into sandcastles, which together with contorted meat, brains and eyes out of their basins with the sun form a unique theme park. They say it was a bombardment. I do not remember. Now I just need to rest...

I am lying down, piled up with mine, it is summer, and it's time to finally enjoy the deserved rest. Beside me my companions with an immobile smile and a jaw set in permanent happiness. This time the women and children did not come, they stayed at home. The youngest who is with me is 50 bodies away, he has a sentence of 16. He came because he always wanted to travel the world and now, on his mobile phone from the waist up and down, he spends his days looking towards the sea through the small hole opened between the amasijos, the parapets and the stacked redoubts of those bastions turned into sandcastles, which together with contorted meat, brains and eyes out of their basins with the sun form a unique theme park. They say it was a bombardment. I do not remember. Now I just need to rest...

"Only dead fish follow the stream of the river".

Swimming against the current is an odyssey in an open world where paradoxically there is more access to information but at the same time we are more controlled. Reflections of those dystopian universes — riddled with environmental disasters and cataclysms — from science fiction novels have come true. But there is still hope. There are spaces of freedom to ambush, where dissidents and freethinkers can react and rebel against the flashes of tyranny, censorship and dehumanization present in society. In some remote and lost place the Lineage of the free will always resist.

The Jaguar, symbol of darkness and light, spiritual strength and fertility, courage and power. Considered by ancient civilizations as the most feared and sacred animal. In Aztec mythology he is the god of the night sky, Tezcatlipoc. The Mayan beliefs relate the existence of the Sun God, capable of transforming itself into a jaguar of mottled skin covered with stars able to enter the world of the dead, defeat the lords of Xibalba and to dominate day and night. They are also mentioned in the Popol Vuh as dangerous inhabitants capable of moving between the dead and the living. A Total Eclipse will bring back the jaguars of the underworld that will devour all that is known of this land until the end of the world.