In 1212 three kings put aside their differences and, shoulder to shoulder, galloped and charged in the Navas de Tolosa against the Almohad army of Miramamolín Al Nasir that was determined to reconquer Spain and reach Rome itself.

Horsemen, cavalry, council militias, military orders, Templars, Calatravos, Santiaguistas, volunteers, gentle men ready to fight the half moon. The confrontation was cruel. Terrible scenarios with metal ripping and tearing ...

When it seemed that all was lost for Christians, the banner of the three wolves was raised...

It is Lopez de Haro who, together with his son and his Castilian knights and innkeepers, set out at the head of the vanguard determined to immolate themselves. King Alfonso VIII of Castile, who looks at it excitedly, launches the attack shouting "Here, Bishop, we all die." Pedro II of Aragon and Sancho VII of Navarra followed him ...

The epic and the enthusiasm seizes everyone and it is that the three kings ride and charge just through the hills of the Navas de Tolosa de Sierra Morena...

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

At dawn the first shadow falls on Jaén lands, towards the heart of the Eastern Sierra Morena. Giant, imposing, on his broad chest his black eagle, the arrano beltza, which he proudly carries as he breaks the chains and crosses the barrier of African slaves who protect the caliph. They have taken away his great treasure, his precious emerald. Miramamolín el Verde flees, the Navarrese forces of Sancho "the strong" have dealt the final blow on the army of the Almohad Empire.

1212. Navas de Tolosa. 

[T-shirt proposed by Mikel Sarrias Nagore]

[Information about Customized Shirts]

Motifs with Iberian art. Belonging to the Unga Monkey collection.

Hunting scenes and cave paintings. Belonging to the Unga Monkey collection.

Neolithic tools and weapons. Unga Monkey Collection.

Custom t-shirt inspired by the Beatles album "Abbey Road", about our great kings in the history of Spain. Those already mythical kings who created the so-called Spanish Empire, that generator empire, in contrast to the predatory Empires, of which the philosopher Gustavo Bueno speaks. The symbolic representation of that idea of ​​Empire represented by the Catholic Monarchs (Isabel and Fernado) and the Emperor Carlos V and his son Felipe II.

[Design proposed by Lara Salas Justicia]

[Information about Customized Shirts]

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

We all know the Golden legend where Saint George must save a princess who is going to be sacrificed as a tribute so that a Dragon allows the people to drink from the fountain. When Saint George kills him, the citizens decide to leave their paganism to embrace Christianity. It is said that this story is a translation of the Greek myth of Perseus and Andromeda, or of Hercules and Hesione, others relate it to the Egyptian god Horus as the horseman who surpassed Evil with his spear. In any case it is clear that early Christianity adapted the new religion to the existing one, to the old beliefs.

In this process of syncretism, Christian mythology presents us with Saint George as the white knight of the Church and the dragon would be the image of Satan, idolatry and paganism. His image was venerated for centuries, in 494 Georgios - that Roman soldier executed in Nicomedia for his faith in the time of Emperor Diocletian - is canonized and venerated ever since. His cult spread, he became patron of knights and soldiers (miles Christi), protector of the crusaders. During the reconquest, Pedro I and later Jaime I of Aragon appeared to him to help in the fight against the Muslims in the battles of Alcoraz and El Puig respectively.

From here we are left with the symbols of the knight of courage and the wisdom of the dragon, discarding that representation as an incarnation of evil, as a relative of the serpent.

We all know the Golden legend where Saint George must save a princess who is going to be sacrificed as a tribute so that a Dragon allows the people to drink from the fountain. When Saint George kills him, the citizens decide to leave their paganism to embrace Christianity. It is said that this story is a translation of the Greek myth of Perseus and Andromeda, or of Hercules and Hesione, others relate it to the Egyptian god Horus as the horseman who surpassed Evil with his spear. In any case it is clear that early Christianity adapted the new religion to the existing one, to the old beliefs.

In this process of syncretism, Christian mythology presents us with Saint George as the white knight of the Church and the dragon would be the image of Satan, idolatry and paganism. His image was venerated for centuries, in 494 Georgios - that Roman soldier executed in Nicomedia for his faith in the time of Emperor Diocletian - is canonized and venerated ever since. His cult spread, he became patron of knights and soldiers (miles Christi), protector of the crusaders. During the reconquest, Pedro I and later Jaime I of Aragon appeared to him to help in the fight against the Muslims in the battles of Alcoraz and El Puig respectively.

From here we are left with the symbols of the knight of courage and the wisdom of the dragon, discarding that representation as an incarnation of evil, as a relative of the serpent.

Bringing in the work of Robert E. Howard was almost a must here at Culters. Heroic Fantasy and Conan has accompanied us since we were children, at home we devoured, in addition to the adult comics of Totem and Cimoc, the super conan and their wild sword. The cimero barbarian, that rogue-air hero who took on Lovecraftian creatures, demonic armies and sorcerers, had us completely overshadowed. Today we are especially interested in how much of ancient cultures there is built in all that Hyborio universe - which emerged after the sinking of Atlantis - of his stories. Serve this "Conan in heroic times. The Era of Hiboria" as a tribute and reminiscence of all that.

Landscapes of shady lands, winds from the north, peaks and hills surrounded by lush forests populated by tribes and warriors fighting in neighboring countries that take us to a lost era before the Neolithic. In those places we see European barbarians similar to the Celts, Goths, Vikings, Vandals, Cossacks, Tatars ... Druids, mercenaries, invaders, thieves, pirates, sailors, adventurers, savages, kings, civilizations, regions, mountains, jungle and desert, distant places and mythical, mysticism and Nordic beliefs, medieval culture ...

We find a perfectly recognizable cosmos, from north to south, from the West to the Far East, emerged after the decline of the precataclysmic civilizations - dominated by the kingdoms of Kamelia, Valusia, Verulia, Grondar, Thule and Commoria -, after wars, migrations and crossbreeds. Different places populated by the most varied races of the Hyboria era. Here are some interpretations:

Zingara —located on the Iberian peninsula, land of knighthood, chivalry, nobility and conspiracies, you travel through Celtiberian Spain but also Imperial Spain in other passages—, Vanaheim —Nordic town with red hair whose name comes from the Scandinavian god Vanir—, Asgard —Norse inhabitants with blond hair whose name comes from the Scandinavian god Aesir—, Nordheim —constituted by Vanaheim and Asgard, is a snow-covered Norse territory inhabited by peoples similar to Germans and Vikings—, Hyperborea —whose name evokes the mythical land of mythology. Greek, inhabitants of Norse culture that shows similarities with the Finns, Varangians and Russians—, Cimmeria —the land of Conan, the Cimmerians are the ancestors of the Celts, Gauls and Scythians—, Aquilonia —one of the most powerful, cultural and militarily, led by Conan, located perhaps in France, Great Britain or Italy - Argos and Nemedia - along with Aquilonia arose after the collapse of the Acheron Empire by the invasions barbarian ions (similarity to the Roman Empire) -, the Pictish lands - the tattooed Pictish inhabitants of northern Britain, with similarities to Native Americans versus European settlers or perhaps indigenous peoples versus Roman invasions of Britani -, Brithunia - similar to Roman Britain—, the Empire of Acheron —whose name was brought from the Greek mythology of Acheron, one of the rivers of Hades—, Zamora —browned and dark-eyed, semi-made people who recall the inhabitants of Ancient Palestine. , an exotic town of dances and initiation rites—, Stygia —a territory whose inhabitants are versed in magic and secret arcana, worshipers of Set, the Egyptian god—, Shem —Semitic references, resembling Arabia, Palestine, the Middle East, deserts with nomads and city-states, people from whom Phoenicians, Hebrews, Assyrians, Canaanites ... descended, protectorate of Styigia, like Palestine with respect to Egypt, Khitai - think of traditional China - Yamatai - a fantastic and stereotypical Japan—, Ophir —a desert kingdom similar to Arabic, a reference to the biblical region Ofir, perhaps referring to Africa or India, famous for its gold—, Black Kingdoms —primitive African natives—, Corinthia —populated by navigators and philosopher, similar to the land of the ancient Greeks—…