«The war reached us all, in the heat of battle, we well knew the sovereign wolf God and his ferocious consecrated warrior brotherhoods that, through magical rituals, acquired fury for combat, assuming the faculties of the wolf and after his death triumphant, Vaélico, thus referred to by the Vetones, accompanies them on their journey to the beyond.»

In 1212 three kings put aside their differences and, shoulder to shoulder, galloped and charged in the Navas de Tolosa against the Almohad army of Miramamolín Al Nasir that was determined to reconquer Spain and reach Rome itself.

Horsemen, cavalry, council militias, military orders, Templars, Calatravos, Santiaguistas, volunteers, gentle men ready to fight the half moon. The confrontation was cruel. Terrible scenarios with metal ripping and tearing ...

When it seemed that all was lost for Christians, the banner of the three wolves was raised...

It is Lopez de Haro who, together with his son and his Castilian knights and innkeepers, set out at the head of the vanguard determined to immolate themselves. King Alfonso VIII of Castile, who looks at it excitedly, launches the attack shouting "Here, Bishop, we all die." Pedro II of Aragon and Sancho VII of Navarra followed him ...

The epic and the enthusiasm seizes everyone and it is that the three kings ride and charge just through the hills of the Navas de Tolosa de Sierra Morena...

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

CHOOSE BELOW BETWEEN THE DIFFERENT VERSIONS OF THE OJÁNCANU

[1 - Ojáncanu blue-green, 2 - Ojáncanu bone, 3 - Ojáncanu white  (WHITE COLOR), 4 - Ojáncanu full color, 5 - Ojáncanu dull blue, 6 - Ojáncanu orange, 7 - Ojáncanu military green, 8 - Ojáncanu electric green, 9 - Ojáncanu green Franky]

with reddish hair and beard who tears apart the mountains, provokes argayes, kills and destroys without mercy everything that crosses his path and delights in the suffering of the men of the north. Without a doubt, he is the vengeful destroyer of the entire mountain range that terrifies every living creature. His strength is enormous. He personifies hatred, anger and cruelty, he is the embodiment of the wild, the untamed and evil. This terrible ogre lives in the deep and gloomy caves of the most remote places of the mountain. "I hope you go blind, you evil-born ojáncanu, so that I can tear out your white hair and die, damn you."

AND DON'T FORGET TO CHOOSE YOUR SIZE!

The origin of the fascination and curiosity for the mysterious and the unknown in Spain is lost in the mists of time. There are the cults of the sun and the moon, the Iberian gods, Celtic naturalism, Phoenician pantheism... To this day it continues to accompany us along with the seduction of the secret, the eschatological and the dark.

Faced with the empire of scientific reason and materialism, we walk in the footsteps of Magical Spain to observe the footprints of our ancestors and their intimate interconnection with the spiritual and sacred. Our hallmarks —which are our roots, our character, and our Hispanic spirit— lie behind the popular tales and legends handed down generation after generation, behind folklore and its enchanted places, and are already part of our collective unconscious. Reconnecting with all that supernatural universe —forces of energy and telluric power—, far from trickery and ignorance, and rescuing the heritage of that wonderful world is what moves us.

A mythical Spain, rich in Templar constructions linked to dark treasures, secret societies, legends of the Grail, magical beliefs of Islamic culture, Jewish sorcery and cabalistic magic. A Spain of heterodox tradition, miracles, saints and martyrs, idolatry and apostasy, superstition, demon worship, apparitions, processions of penitent souls or souls. A black Spain of obscurantism and witch hunts too. A Spain of stories and legends such as that of the cleric of Eiztari-Beltza and the legend of the black hunter, the nymph of Júcar, the xana Caricea, the mariños of Lobeira, the fish Nicolás, the treasure of the castro of Altamira, the gap of Roldán , the curse of Laurinaga, the legend of the magician Illán...

An unknown Spain with innumerable magical routes to get closer to its legends, the enigmatic, the sacred and the magical. Itineraries through dark worlds and worlds of light, through ancient forests, magical mountains, mystical enclaves, entrances to the afterlife, cave paintings, therapeutic sanctuaries, villages, cursed hospitals and convents, enchanted castles and hermitages, hidden chapels, abandoned holy places , cathedrals, churches, monasteries, mosques, synagogues, alleys of the dead, caves, underground, crypts or catacombs.

Magical walks that bring us closer to the ancestral arts, covens, spells, bewitchments, spells, spells, invocations, curses, evil eyes, sorceress entanglements, ritual and power objects, talismans, amulets, sacred relics; beings from here and there such as evil spirits, demons, angelic entities, possessed, exorcists, mummies, tormented ghosts, heretics, inquisitors, goblins, witches or goblins.

A journey through the geography of the mysterious through its mystical, enchanted and haunted forests like those of Orrius or Baztán; of its centuries-old beech forests inhabited by ireltxos (mischievous geniuses), lamias (seductive nymphs) and genius-protectors such as Basajuan in the magical Otzarreta; or by the chestnut and oak forests and powerful healing springs such as those of San Juan Xar.

This fantastic journey will go through its mountains of great spiritual charge and telluric force, with entrances and interdimensional portals such as that of Montserrat (La Moreneta) dominated by the great stone of the devil that points towards the sky —as a trace of the flight of the devil according to the legend of the woodcutter, a place of pilgrimages in search of the Holy Grail. Or by its rivers bathed in water nymphs with duck feet like those of Bidasoa; its black lagoons dominated by man-eating marine beings in the Sierra de Urbión. And its mountains of souls on the banks of the Duero or mountains of Celtic rituals like the one in Pindo inhabited by magical creatures. Without forgetting its enchanted roads like the Asturian one full of mythological characters and legends or with stories of witchcraft, black magic and cannibalism like those that took place in the Zugarramundi caves.

We can discover the magical thought that underlies Spain through its cities and towns, as in Galicia with its witches, its churches of souls, its old cemeteries, its stone crosses, its Santas Compañas, its pilgrimages or its Camino de Santiago to Finisterre; as in Aragon and the route of the chamineras and the scarecrows; as in the unusual and secret Barcelona that keeps in its Gothic quarter stories of freemasons, Templars, inquisitions, hermeticism and Solomon's talismans.

Or like in the imposing city of Toledo whose hinged entrance door to the old Regnum Gothorum already anticipates magical and hidden elements of the hermetic-alchemical tradition. A city that reveals its secrets, its hidden soul and its magical knowledge —magic, bewitchments, spells, spells and incantations were considered part of the Toledo sciences, which were not at all associated with fanaticism, superstition and ignorance— Inside we find: wise men, such as those of the School of Necromancy —to which famous witches, magicians and necromancers such as Enrique de Villena who practiced divinatory and magical arts attended—, who try to know the mysteries of the Ars Toledana, books that connect with the forces of the invisible, works of valuable knowledge in astronomy, alchemy, mathematics and magic from the different Greek, Arab and Jewish cultures, which were translated by the Toledo School of Translators in the time of Alfonso X; evidence of worship to the secret science of Baphomet by the order of the Temple; or clues about King Solomon's Table —which gave unlimited knowledge— and the Caves of Hercules —which accumulated knowledge and secrets, where only the chosen ones could access them.

In our journey through the sacred and profane —in the forests, towns and cities—, therefore, we can trace magical elements, hidden keys to our history and our traditions, vestiges of our distant past in order to understand thought, anthropology and the beliefs of our ancestors that still survive. We can know how they related to that invisible and supernatural world —which was in full harmony with nature— and make this magical and living Spain the “initiatory Spain” towards a knowledge without prejudices, towards a superior knowledge that reconnects us with the remote and the mysterious.

When we enter the magical and mysterious Spain in the footsteps of the fairy world, we open not only a window to fantasy and imagination, but also to the most authentic meaning of life, since to look again with the eyes of a child is to return to believe, is to meet again with the spirit, is to be in harmony with Nature and the Earth.

Fairies, gnomes, goblins, trolls, giants, elves, undines, nymphs, mermaids, nereids, elves, sylphs, salamanders, beasts, dragons, basilisks, sorcerers, werewolves, demonic fauna —funny and grotesque—, hidden treasures, hidden kingdoms , magical caves and mountains, enchanted forests, springs of crystalline water, dark marine depths... Beings —such as elementals, spirits or men— and places —of earth, fire, air and water— that bring us closer to ourselves , to nature itself, to the pure etheric spirit, the anima mundi, where everything and everyone (living and dead) are interconnected in a spiritual way.

Tales, legends and myths loaded with folklore and popular traditions, between the real and imaginary, that help us understand and glimpse that there are forces that have been acting in our world for centuries with a higher purpose endowed with meaning.

When we enter the magical and mysterious Spain in the footsteps of the fairy world, we open not only a window to fantasy and imagination, but also to the most authentic meaning of life, since to look again with the eyes of a child is to return to believe, is to meet again with the spirit, is to be in harmony with Nature and the Earth.

Fairies, gnomes, goblins, trolls, giants, elves, undines, nymphs, mermaids, nereids, elves, sylphs, salamanders, beasts, dragons, basilisks, sorcerers, werewolves, demonic fauna —funny and grotesque—, hidden treasures, hidden kingdoms , magical caves and mountains, enchanted forests, springs of crystalline water, dark marine depths... Beings —such as elementals, spirits or men— and places —of earth, fire, air and water— that bring us closer to ourselves , to nature itself, to the pure etheric spirit, the anima mundi, where everything and everyone (living and dead) are interconnected in a spiritual way.

Tales, legends and myths loaded with folklore and popular traditions, between the real and imaginary, that help us understand and glimpse that there are forces that have been acting in our world for centuries with a higher purpose endowed with meaning.

“Nature is alive and populated with invisible _ intelligent forces and beings. Some humans seek their contact and they want it too, but first we must learn to know them..."

 Jesús Callejo

CULEBRE

Rural dragon or deadly winged serpent located in Cantabria, Asturias, Galicia, north of León and Palencia. This giant beast with a powerful jaw and forked tongue inhabits mountain caves, cliffs, rocky outcrops and caves. She is a guardian of treasures, the terror of villagers and shepherds, and devourer of maidens.

NUBEIRO

He is the lord of atmospheric phenomena, of rain, storms, hail... They are ruthless and mischievous beings with bushy beards and aged faces. He wears dark clothes and a wide-brimmed hat, lives in the clouds or travels in them and has fun controlling the weather and causing all kinds of damage to the crops. It is usually accompanied by wolves or ravens and is present in Asturian, Cantabrian, Galician and northern León mythology.

BUSGOSU

A kind of faun from Asturian mythology, half goat, half man, seems to have its origin in some entity of the Celtic pantheon. He is the lord and guardian of the forest and everything that lives in it, he helps and cares for the lost shepherds by showing them the way back, but at the same time he is a cruel and deadly enemy to anyone who dares to harm the forest. In addition, this genius of nature has an exacerbated and voracious sexual appetite, even kidnapping beautiful women to satisfy his desires.

XANA

The xanas or fairies of the waters are spirits of nature in the form of beautiful women and long golden hair. This species of nymphs inhabits caves, fountains and the banks of watercourses. There are enchanted ones or owners of treasures and xanas that steal children. They are collected in Asturian and Leonese mythology.

OJANCANO

The one-eyed giant of Cantabrian mythology. The vengeful destroyer of the mountains that terrifies every living thing. His strength is enormous. He personifies hatred, anger and cruelty, he is the embodiment of the wild, the untamed and evil. This terrible ogre lives in the deep and gloomy caves of the most remote places of the mountain.

GOBLIN

He is a leprechaun from Leonese, Asturian, Galician and Cantabrian mythologies. It is known as the “gorru colorau” due to its characteristic red beaked cap, it is small in size, and has a playful and mischievous character. They are very mocking and sometimes malevolent. They make objects disappear, change their places and entangle everything they can if they enter your house.

DIGITAL EDITION (FREE)

The viada according to the RAE is the violent departure or departure of a person or an animal. It is also defined as the start-up or starting of an engine. With various meanings in disuse such as an attack or the defeat of enemy troops.

Much of it you will find in the pages of this graphic work. A compilation loaded with lights and shadows, myths and legends, ancestral references and historical identities. There is love and also many passages of war. But above all there is a purpose that you will discover through a path of the spirit, a pagan path, a magical path, a path of cultures, a path of action and a path of death.

Because this is a journey and a warrior path. An intimate and direct blasting—violent of course, since it is a first radical shock to your own sensitivity and subjectivity—of your reality. An inner revolution to start surfing the wave.

protected, with this sign the enemy is defeated"). Pelayo attributed his success to the use of this protective emblem. Whether or not the story about Don Pelayo and the battle of Covadonga is more reliable is told: if it was in 718 or 722, the number of participants according to the chronicles, recent studies talking about a riot of four uncles, what if it ended Reconquista was coined in contemporary times... the truth is that myths and legends convey to us the vision of what our ancestors believed, felt and lived at that time —let's stop judging the past with today's values"—, and That collective feeling and thought at that key moment, that fact, was the flame that lit and motivated the slow but persistent advance towards the south in that process of recovery of the lost kingdom, the so-called Reconquista, towards the definitive unity of Christian kingdoms, concluded with the capture of Granada in 1492.

 [T-shirt proposed by Elena Arquimbau]

[Information about Customized Shirts]

The Iberians gained fame for their fighting prowess, but their writing systems, their trade, and their art show that they were much more than great warriors. Their mother tongue "Iberian" was spoken from the Hérault River (France) to Porcuna (Jaén) and they left thousands of inscriptions written in an original alphabet of signs that was a mystery for centuries that little by little is deciphering ... Written on coins , lead sheet, amphorae, mosaic, stone stele, silver crockery or trousseau, painted and engraved ceramics, copper plates, silver trousseau, walls ... Its enormous diffusion in the peninsula reveals to us how consolidated it was. The same alphabet was also shared with the Lusitanian and Proto-Basque languages.

[In the image the head of the wolf on the pectoral disc of the armor of the Iberian warriors]

The representation of the wolf in Iberian iconography, as a cult totemic animal, with strong roots in pastoral populations, related to myths and religious symbolism, represents ardor, heroism and warrior mysticism. Combat scenes between wolf and man are common, some symbolize death threat, lineage of power, protection in combat ... and the cult of the night, the path or initiation rite, in the passage to the afterlife, lupus as a guide in the afterlife ...

So recurrent in Iberian art, we find it in the sculptural ensembles of "El Pajarillo", in the Elche-Archena style ceramics, in the mints of the Iltirta and Iltiraka mint, in the "Copa del Carnassier", in the "Torso de Guerrero de la Alcudia"... and in the "Pátera de Perotito" where a young man, his hands are raised in a ritual position, is devoured by the wolf, merging with him, in his transit with the beyond ...

Because the wolf is also death, dying to live, dying to resurrect, when we are eaten we will renew our spirit, as a different being that is reborn as a new man. A journey of the initiate to the world of spirits, a descent to the bottom of the caverns, twinned with a wolf guide who will transfer us his great qualities...

The image comes from the bronze Celtiberian hospitality Tsera in the shape of a wolf in zenith perspective that appeared in Burgos, related to a Celtic myth of the end of the world, known as the myth of the “Wolf that devours the Sun”.

The representation of the wolf in Iberian iconography, as a cult totemic animal, with strong roots in pastoral populations, related to myths and religious symbolism, represents ardor, heroism and warrior mysticism. Combat scenes between wolf and man are common, some symbolize death threat, lineage of power, protection in combat ... and the cult of the night, the path or initiation rite, in the passage to the afterlife, lupus as a guide in the afterlife ...

So recurrent in Iberian art, we find it in the sculptural ensembles of "El Pajarillo", in the Elche-Archena style ceramics, in the mints of the Iltirta and Iltiraka mint, in the "Copa del Carnassier", in the "Torso de Guerrero de la Alcudia"... and in the "Pátera de Perotito" where a young man, his hands are raised in a ritual position, is devoured by the wolf, merging with him, in his transit with the beyond ...

Because the wolf is also death, dying to live, dying to resurrect, when we are eaten we will renew our spirit, as a different being that is reborn as a new man. A journey of the initiate to the world of spirits, a descent to the bottom of the caverns, twinned with a wolf guide who will transfer us his great qualities...

Before the Iberians, Celts, Phoenicians, Greeks and Tartessos, there were the Atlanteans, those inhabitants of the most advanced civilization - their technology, their knowledge, their ships, their cars, their wealth, their mines, their constructions, their culture, their hidden idols, their sacred kingdoms...—which disappeared—perhaps due to an earthquake or a great deluge—completely 11,000 years ago. It was one of those lost continents like Hyperboria, Lemuria and Mu, whose memory remains submerged in oblivion.

Atlantis is the seed of our own civilization, its empire spread over the planet - it is possible that the Greek myths had their Atlantean birth in Iberia. A large commercial port city, where boats enter and leave with their mythical metals. Its origin, wrapped in myth, legend and fantasy, is still one of the great enigmas for archaeologists, who believe it could be found on the coast of Cádiz, near the Pillars of Hercules, at the "end of the world". of which the classics of Antiquity spoke.

Many mysteries and secret keys of this legendary civilization to decipher. Was it the lost city that was under water that Plato was talking about? Did the Atlanteans invade Egypt? Was the Great Sphinx of Giza a vestige of Atlantis? Did the Atlanteans build the pyramids? Did they trade with King Solomon? Did your navigators reach America? Did they annihilate the Lemurian civilization? Was Tartessos perhaps Atlantis?