We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

It is time to kill the dragon, it is time to tame the ego within us, but also to overthrow all kinds of tyrants, with their new faces and new appearances. Those new gods of modern societies, who try to take away our humanity, don't you see the effects of the crazy technology that has already usurped it from us?

We must not ignore the teachers of Tradition or Tolkien himself - who pointed out in his work the threats of machines and industrial hell against the natural environment, where technology was used by the forces of evil -, who put the emphasis on depersonalization and separation of man from nature as some of the evils of the modern world. It's time to slay this new dragon! In the words of Ronnie James Dio, the magical hard-rock voice of epic and heroic fantasy, it is time to put an end to “electronic serfdom”…

“Silence - we hunt for the queen

Sign of the cross

And pray in-between 

Look by the light of the day

She's hiding till dark

Waiting to play hey-hey

Something's taken a child

And it all must end

Time to be killing the dragon again

Silence - we'll hunt for the lord

He takes crimson and gold

Gave ice to the cold

Oh to be never afraid

Of wolves at the door

Howling for more

More's been empty for years

And it all must end

Time to be killing the dragon again

Kneel and behold your new king

Digital dreams

And wonderful things to tease you

Small gods with electrical hearts

And it all will end

Time to be killing the dragon” 

[Killing the Dragon - Dio]

It is time to kill the dragon, it is time to tame the ego within us, but also to overthrow all kinds of tyrants, with their new faces and new appearances. Those new gods of modern societies, who try to take away our humanity, don't you see the effects of the crazy technology that has already usurped it from us?

We must not ignore the teachers of Tradition or Tolkien himself - who pointed out in his work the threats of machines and industrial hell against the natural environment, where technology was used by the forces of evil -, who put the emphasis on depersonalization and separation of man from nature as some of the evils of the modern world. It's time to slay this new dragon! In the words of Ronnie James Dio, the magical hard-rock voice of epic and heroic fantasy, it is time to put an end to “electronic serfdom”…

“Silence - we hunt for the queen

Sign of the cross

And pray in-between 

Look by the light of the day

She's hiding till dark

Waiting to play hey-hey

Something's taken a child

And it all must end

Time to be killing the dragon again

Silence - we'll hunt for the lord

He takes crimson and gold

Gave ice to the cold

Oh to be never afraid

Of wolves at the door

Howling for more

More's been empty for years

And it all must end

Time to be killing the dragon again

Kneel and behold your new king

Digital dreams

And wonderful things to tease you

Small gods with electrical hearts

And it all will end

Time to be killing the dragon” 

[Killing the Dragon - Dio]

la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

protected, with this sign the enemy is defeated"). Pelayo attributed his success to the use of this protective emblem. Whether or not the story about Don Pelayo and the battle of Covadonga is more reliable is told: if it was in 718 or 722, the number of participants according to the chronicles, recent studies talking about a riot of four uncles, what if it ended Reconquista was coined in contemporary times... the truth is that myths and legends convey to us the vision of what our ancestors believed, felt and lived at that time —let's stop judging the past with today's values"—, and That collective feeling and thought at that key moment, that fact, was the flame that lit and motivated the slow but persistent advance towards the south in that process of recovery of the lost kingdom, the so-called Reconquista, towards the definitive unity of Christian kingdoms, concluded with the capture of Granada in 1492.

 [T-shirt proposed by Elena Arquimbau]

[Information about Customized Shirts]

Before the Iberians, Celts, Phoenicians, Greeks and Tartessos, there were the Atlanteans, those inhabitants of the most advanced civilization - their technology, their knowledge, their ships, their cars, their wealth, their mines, their constructions, their culture, their hidden idols, their sacred kingdoms...—which disappeared—perhaps due to an earthquake or a great deluge—completely 11,000 years ago. It was one of those lost continents like Hyperboria, Lemuria and Mu, whose memory remains submerged in oblivion.

Atlantis is the seed of our own civilization, its empire spread over the planet - it is possible that the Greek myths had their Atlantean birth in Iberia. A large commercial port city, where boats enter and leave with their mythical metals. Its origin, wrapped in myth, legend and fantasy, is still one of the great enigmas for archaeologists, who believe it could be found on the coast of Cádiz, near the Pillars of Hercules, at the "end of the world". of which the classics of Antiquity spoke.

Many mysteries and secret keys of this legendary civilization to decipher. Was it the lost city that was under water that Plato was talking about? Did the Atlanteans invade Egypt? Was the Great Sphinx of Giza a vestige of Atlantis? Did the Atlanteans build the pyramids? Did they trade with King Solomon? Did your navigators reach America? Did they annihilate the Lemurian civilization? Was Tartessos perhaps Atlantis?

Before the Iberians, Celts, Phoenicians, Greeks and Tartessos, there were the Atlanteans, those inhabitants of the most advanced civilization - their technology, their knowledge, their ships, their cars, their wealth, their mines, their constructions, their culture, their hidden idols, their sacred kingdoms...—which disappeared—perhaps due to an earthquake or a great deluge—completely 11,000 years ago. It was one of those lost continents like Hyperboria, Lemuria and Mu, whose memory remains submerged in oblivion.

Atlantis is the seed of our own civilization, its empire spread over the planet - it is possible that the Greek myths had their Atlantean birth in Iberia. A large commercial port city, where boats enter and leave with their mythical metals. Its origin, wrapped in myth, legend and fantasy, is still one of the great enigmas for archaeologists, who believe it could be found on the coast of Cádiz, near the Pillars of Hercules, at the "end of the world". of which the classics of Antiquity spoke.

Many mysteries and secret keys of this legendary civilization to decipher. Was it the lost city that was under water that Plato was talking about? Did the Atlanteans invade Egypt? Was the Great Sphinx of Giza a vestige of Atlantis? Did the Atlanteans build the pyramids? Did they trade with King Solomon? Did your navigators reach America? Did they annihilate the Lemurian civilization? Was Tartessos perhaps Atlantis?