We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

CHOOSE BELOW BETWEEN THE DIFFERENT VERSIONS OF THE OJÁNCANU

[1 - Ojáncanu blue-green, 2 - Ojáncanu bone, 3 - Ojáncanu white  (WHITE COLOR), 4 - Ojáncanu full color, 5 - Ojáncanu dull blue, 6 - Ojáncanu orange, 7 - Ojáncanu military green, 8 - Ojáncanu electric green, 9 - Ojáncanu green Franky]

with reddish hair and beard who tears apart the mountains, provokes argayes, kills and destroys without mercy everything that crosses his path and delights in the suffering of the men of the north. Without a doubt, he is the vengeful destroyer of the entire mountain range that terrifies every living creature. His strength is enormous. He personifies hatred, anger and cruelty, he is the embodiment of the wild, the untamed and evil. This terrible ogre lives in the deep and gloomy caves of the most remote places of the mountain. "I hope you go blind, you evil-born ojáncanu, so that I can tear out your white hair and die, damn you."

AND DON'T FORGET TO CHOOSE YOUR SIZE!

The origin of the fascination and curiosity for the mysterious and the unknown in Spain is lost in the mists of time. There are the cults of the sun and the moon, the Iberian gods, Celtic naturalism, Phoenician pantheism... To this day it continues to accompany us along with the seduction of the secret, the eschatological and the dark.

Faced with the empire of scientific reason and materialism, we walk in the footsteps of Magical Spain to observe the footprints of our ancestors and their intimate interconnection with the spiritual and sacred. Our hallmarks —which are our roots, our character, and our Hispanic spirit— lie behind the popular tales and legends handed down generation after generation, behind folklore and its enchanted places, and are already part of our collective unconscious. Reconnecting with all that supernatural universe —forces of energy and telluric power—, far from trickery and ignorance, and rescuing the heritage of that wonderful world is what moves us.

A mythical Spain, rich in Templar constructions linked to dark treasures, secret societies, legends of the Grail, magical beliefs of Islamic culture, Jewish sorcery and cabalistic magic. A Spain of heterodox tradition, miracles, saints and martyrs, idolatry and apostasy, superstition, demon worship, apparitions, processions of penitent souls or souls. A black Spain of obscurantism and witch hunts too. A Spain of stories and legends such as that of the cleric of Eiztari-Beltza and the legend of the black hunter, the nymph of Júcar, the xana Caricea, the mariños of Lobeira, the fish Nicolás, the treasure of the castro of Altamira, the gap of Roldán , the curse of Laurinaga, the legend of the magician Illán...

An unknown Spain with innumerable magical routes to get closer to its legends, the enigmatic, the sacred and the magical. Itineraries through dark worlds and worlds of light, through ancient forests, magical mountains, mystical enclaves, entrances to the afterlife, cave paintings, therapeutic sanctuaries, villages, cursed hospitals and convents, enchanted castles and hermitages, hidden chapels, abandoned holy places , cathedrals, churches, monasteries, mosques, synagogues, alleys of the dead, caves, underground, crypts or catacombs.

Magical walks that bring us closer to the ancestral arts, covens, spells, bewitchments, spells, spells, invocations, curses, evil eyes, sorceress entanglements, ritual and power objects, talismans, amulets, sacred relics; beings from here and there such as evil spirits, demons, angelic entities, possessed, exorcists, mummies, tormented ghosts, heretics, inquisitors, goblins, witches or goblins.

A journey through the geography of the mysterious through its mystical, enchanted and haunted forests like those of Orrius or Baztán; of its centuries-old beech forests inhabited by ireltxos (mischievous geniuses), lamias (seductive nymphs) and genius-protectors such as Basajuan in the magical Otzarreta; or by the chestnut and oak forests and powerful healing springs such as those of San Juan Xar.

This fantastic journey will go through its mountains of great spiritual charge and telluric force, with entrances and interdimensional portals such as that of Montserrat (La Moreneta) dominated by the great stone of the devil that points towards the sky —as a trace of the flight of the devil according to the legend of the woodcutter, a place of pilgrimages in search of the Holy Grail. Or by its rivers bathed in water nymphs with duck feet like those of Bidasoa; its black lagoons dominated by man-eating marine beings in the Sierra de Urbión. And its mountains of souls on the banks of the Duero or mountains of Celtic rituals like the one in Pindo inhabited by magical creatures. Without forgetting its enchanted roads like the Asturian one full of mythological characters and legends or with stories of witchcraft, black magic and cannibalism like those that took place in the Zugarramundi caves.

We can discover the magical thought that underlies Spain through its cities and towns, as in Galicia with its witches, its churches of souls, its old cemeteries, its stone crosses, its Santas Compañas, its pilgrimages or its Camino de Santiago to Finisterre; as in Aragon and the route of the chamineras and the scarecrows; as in the unusual and secret Barcelona that keeps in its Gothic quarter stories of freemasons, Templars, inquisitions, hermeticism and Solomon's talismans.

Or like in the imposing city of Toledo whose hinged entrance door to the old Regnum Gothorum already anticipates magical and hidden elements of the hermetic-alchemical tradition. A city that reveals its secrets, its hidden soul and its magical knowledge —magic, bewitchments, spells, spells and incantations were considered part of the Toledo sciences, which were not at all associated with fanaticism, superstition and ignorance— Inside we find: wise men, such as those of the School of Necromancy —to which famous witches, magicians and necromancers such as Enrique de Villena who practiced divinatory and magical arts attended—, who try to know the mysteries of the Ars Toledana, books that connect with the forces of the invisible, works of valuable knowledge in astronomy, alchemy, mathematics and magic from the different Greek, Arab and Jewish cultures, which were translated by the Toledo School of Translators in the time of Alfonso X; evidence of worship to the secret science of Baphomet by the order of the Temple; or clues about King Solomon's Table —which gave unlimited knowledge— and the Caves of Hercules —which accumulated knowledge and secrets, where only the chosen ones could access them.

In our journey through the sacred and profane —in the forests, towns and cities—, therefore, we can trace magical elements, hidden keys to our history and our traditions, vestiges of our distant past in order to understand thought, anthropology and the beliefs of our ancestors that still survive. We can know how they related to that invisible and supernatural world —which was in full harmony with nature— and make this magical and living Spain the “initiatory Spain” towards a knowledge without prejudices, towards a superior knowledge that reconnects us with the remote and the mysterious.

When we enter the magical and mysterious Spain in the footsteps of the fairy world, we open not only a window to fantasy and imagination, but also to the most authentic meaning of life, since to look again with the eyes of a child is to return to believe, is to meet again with the spirit, is to be in harmony with Nature and the Earth.

Fairies, gnomes, goblins, trolls, giants, elves, undines, nymphs, mermaids, nereids, elves, sylphs, salamanders, beasts, dragons, basilisks, sorcerers, werewolves, demonic fauna —funny and grotesque—, hidden treasures, hidden kingdoms , magical caves and mountains, enchanted forests, springs of crystalline water, dark marine depths... Beings —such as elementals, spirits or men— and places —of earth, fire, air and water— that bring us closer to ourselves , to nature itself, to the pure etheric spirit, the anima mundi, where everything and everyone (living and dead) are interconnected in a spiritual way.

Tales, legends and myths loaded with folklore and popular traditions, between the real and imaginary, that help us understand and glimpse that there are forces that have been acting in our world for centuries with a higher purpose endowed with meaning.

When we enter the magical and mysterious Spain in the footsteps of the fairy world, we open not only a window to fantasy and imagination, but also to the most authentic meaning of life, since to look again with the eyes of a child is to return to believe, is to meet again with the spirit, is to be in harmony with Nature and the Earth.

Fairies, gnomes, goblins, trolls, giants, elves, undines, nymphs, mermaids, nereids, elves, sylphs, salamanders, beasts, dragons, basilisks, sorcerers, werewolves, demonic fauna —funny and grotesque—, hidden treasures, hidden kingdoms , magical caves and mountains, enchanted forests, springs of crystalline water, dark marine depths... Beings —such as elementals, spirits or men— and places —of earth, fire, air and water— that bring us closer to ourselves , to nature itself, to the pure etheric spirit, the anima mundi, where everything and everyone (living and dead) are interconnected in a spiritual way.

Tales, legends and myths loaded with folklore and popular traditions, between the real and imaginary, that help us understand and glimpse that there are forces that have been acting in our world for centuries with a higher purpose endowed with meaning.

“Nature is alive and populated with invisible _ intelligent forces and beings. Some humans seek their contact and they want it too, but first we must learn to know them..."

 Jesús Callejo

CULEBRE

Rural dragon or deadly winged serpent located in Cantabria, Asturias, Galicia, north of León and Palencia. This giant beast with a powerful jaw and forked tongue inhabits mountain caves, cliffs, rocky outcrops and caves. She is a guardian of treasures, the terror of villagers and shepherds, and devourer of maidens.

NUBEIRO

He is the lord of atmospheric phenomena, of rain, storms, hail... They are ruthless and mischievous beings with bushy beards and aged faces. He wears dark clothes and a wide-brimmed hat, lives in the clouds or travels in them and has fun controlling the weather and causing all kinds of damage to the crops. It is usually accompanied by wolves or ravens and is present in Asturian, Cantabrian, Galician and northern León mythology.

BUSGOSU

A kind of faun from Asturian mythology, half goat, half man, seems to have its origin in some entity of the Celtic pantheon. He is the lord and guardian of the forest and everything that lives in it, he helps and cares for the lost shepherds by showing them the way back, but at the same time he is a cruel and deadly enemy to anyone who dares to harm the forest. In addition, this genius of nature has an exacerbated and voracious sexual appetite, even kidnapping beautiful women to satisfy his desires.

XANA

The xanas or fairies of the waters are spirits of nature in the form of beautiful women and long golden hair. This species of nymphs inhabits caves, fountains and the banks of watercourses. There are enchanted ones or owners of treasures and xanas that steal children. They are collected in Asturian and Leonese mythology.

OJANCANO

The one-eyed giant of Cantabrian mythology. The vengeful destroyer of the mountains that terrifies every living thing. His strength is enormous. He personifies hatred, anger and cruelty, he is the embodiment of the wild, the untamed and evil. This terrible ogre lives in the deep and gloomy caves of the most remote places of the mountain.

GOBLIN

He is a leprechaun from Leonese, Asturian, Galician and Cantabrian mythologies. It is known as the “gorru colorau” due to its characteristic red beaked cap, it is small in size, and has a playful and mischievous character. They are very mocking and sometimes malevolent. They make objects disappear, change their places and entangle everything they can if they enter your house.

Matte poster made of matte, thick and resistant paper. Giclee printed on acid-free paper resulting in brilliant colors. The size is 70cm wide by 100cm high, with a paper thickness of 0.26mm

130 years ago, on August 20, 1890, a genius named Howard Phillips Lovecraft was born. Together with Edgar Alan Poe, he is considered one of the pioneers and great authors of the 20th century horror novel. He created an extremely detailed and lurid cosmic horror mythology called by his adherents as a Lovecraftian novel or short story. Many are the artists, authors, filmmakers and illustrators who have been inspired by his works (The Call of Cthulhu, In the mountains of madness, Ulthar's cats, The shadow over Innsmouth, The Dunwich horror ...) turning it into a whole cult. Misunderstood, eccentric, full of prejudices, undervalued in life, he is a genius who He has left us an incredible legacy that we are still playing with 130 years later. Lovecraft Country lives.

130 years ago, on August 20, 1890, a genius named Howard Phillips Lovecraft was born. Together with Edgar Alan Poe, he is considered one of the pioneers and great authors of the 20th century horror novel. He created an extremely detailed and lurid cosmic horror mythology called by his adherents as a Lovecraftian novel or short story. Many are the artists, authors, filmmakers and illustrators who have been inspired by his works (The Call of Cthulhu, In the mountains of madness, Ulthar's cats, The shadow over Innsmouth, The Dunwich horror ...) turning it into a whole cult. Misunderstood, eccentric, full of prejudices, undervalued in life, he is a genius who He has left us an incredible legacy that we are still playing with 130 years later. Lovecraft Country lives.

130 years ago, on August 20, 1890, a genius named Howard Phillips Lovecraft was born. Together with Edgar Alan Poe, he is considered one of the pioneers and great authors of the 20th century horror novel. He created an extremely detailed and lurid cosmic horror mythology called by his adherents as a Lovecraftian novel or short story. Many are the artists, authors, filmmakers and illustrators who have been inspired by his works (The Call of Cthulhu, In the mountains of madness, Ulthar's cats, The shadow over Innsmouth, The Dunwich horror ...) turning it into a whole cult. Misunderstood, eccentric, full of prejudices, undervalued in life, he is a genius who He has left us an incredible legacy that we are still playing with 130 years later. Lovecraft Country lives.

H. P. Lovecraft's work reaches its climax with his stories about the primeval gods and their arrival on earth from space, where they are confronted by the Ancients for the domination of the world. After bloody battles they manage to establish themselves and spread their cult. Until the Archetypal Gods of humans through their magic and the power of the Arcane Symbol banished them to remote places. They are still waiting for a sect or a sorcerer to free them in order to subjugate the human race and destroy the earth... the literary cycle "The Myths of Cthulhu" show us a terrifying reality that lurks hidden from the depths over who dares to peer into the abysses of that dimension. Gods and creatures like Yog-Sothoth, Azathoth, Shub-Niggurath, Nyartlathotep or Dagon plague his stories...

H. P. Lovecraft's work reaches its climax with his stories about the primeval gods and their arrival on earth from space, where they are confronted by the Ancients for the domination of the world. After bloody battles they manage to establish themselves and spread their cult. Until the Archetypal Gods of humans through their magic and the power of the Arcane Symbol banished them to remote places. They are still waiting for a sect or a sorcerer to free them in order to subjugate the human race and destroy the earth... the literary cycle "The Myths of Cthulhu" show us a terrifying reality that lurks hidden from the depths over who dares to peer into the abysses of that dimension. Gods and creatures like Yog-Sothoth, Azathoth, Shub-Niggurath, Nyartlathotep or Dagon plague his stories...

"Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time".

H. P. Lovecraft, poet, essayist, author, an appreciated and misunderstood genius of the cosmic horror novel. Pagan and creator of blasphemous stories of the wonderful and the ridiculous, his oniric dreams have drawn the worst of our nightmares and inspired in the form of worship the curious and daring who have come to read his chilling and delicious work full of outer beings, ancient gods and ancestral monsters... Cthulhu, Shub-Niggurath, Nyarathotep, Azathoth, Yog-Sothoth... As our friend said so well... The oldest and strongest emotion of humankind is fear, and the most oldest and strongest kind of fears is fear of the unknown.

"That is not dead which can eternal lie, And with strange aeons even dead may die" 

H. P. Lovecraft, poet, essayist, author, an appreciated and misunderstood genius of the cosmic horror novel. Pagan and creator of blasphemous stories of the wonderful and the ridiculous, his oniric dreams have drawn the worst of our nightmares and inspired in the form of worship the curious and daring who have come to read his chilling and delicious work full of outer beings, ancient gods and ancestral monsters ... Cthulhu, Shub-Niggurath, Nyarathotep, Azathoth, Yog-Sothoth .... As our friend said so well ... The oldest and strongest emotion of humankind is fear, and the most oldest and strongest kind of fears is fear of the unknown »