«The war reached us all, in the heat of battle, we well knew the sovereign wolf God and his ferocious consecrated warrior brotherhoods that, through magical rituals, acquired fury for combat, assuming the faculties of the wolf and after his death triumphant, Vaélico, thus referred to by the Vetones, accompanies them on their journey to the beyond.»

In 1212 three kings put aside their differences and, shoulder to shoulder, galloped and charged in the Navas de Tolosa against the Almohad army of Miramamolín Al Nasir that was determined to reconquer Spain and reach Rome itself.

Horsemen, cavalry, council militias, military orders, Templars, Calatravos, Santiaguistas, volunteers, gentle men ready to fight the half moon. The confrontation was cruel. Terrible scenarios with metal ripping and tearing ...

When it seemed that all was lost for Christians, the banner of the three wolves was raised...

It is Lopez de Haro who, together with his son and his Castilian knights and innkeepers, set out at the head of the vanguard determined to immolate themselves. King Alfonso VIII of Castile, who looks at it excitedly, launches the attack shouting "Here, Bishop, we all die." Pedro II of Aragon and Sancho VII of Navarra followed him ...

The epic and the enthusiasm seizes everyone and it is that the three kings ride and charge just through the hills of the Navas de Tolosa de Sierra Morena...

la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

la Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

La Verdadera Destreza, the Spanish tradition of fencing based on geometry—the mathematics of combat: angles (for the hands and arms) and circles (for the feet and distances) against the enemy—that dates back from the beginning of the Golden Age to the 19th century, represents a titanic effort to bring order to the chaos that a sword duel entails. This Spanish martial art was documented for the first time in the treatise "On the Philosophy of Weapons and their Dexterity and Christian Aggression and Defense" back in 1582.

[In the image a swordsman with rapier and dagger on the circle of Rada]

[T-shirt proposed by Carlos Loscertales]

DIGITAL EDITION (FREE)

The viada according to the RAE is the violent departure or departure of a person or an animal. It is also defined as the start-up or starting of an engine. With various meanings in disuse such as an attack or the defeat of enemy troops.

Much of it you will find in the pages of this graphic work. A compilation loaded with lights and shadows, myths and legends, ancestral references and historical identities. There is love and also many passages of war. But above all there is a purpose that you will discover through a path of the spirit, a pagan path, a magical path, a path of cultures, a path of action and a path of death.

Because this is a journey and a warrior path. An intimate and direct blasting—violent of course, since it is a first radical shock to your own sensitivity and subjectivity—of your reality. An inner revolution to start surfing the wave.

Welcome to dystopia. Sometimes reality surpasses fiction. Fritz Lang's Metropolis anticipated a futuristic, capitalist and leisure city, with deified technology and robotics, and dehumanized and heartless labor relations. Chaplin's Modern Times also elaborated on that idea. Ernst Jünger's anti-utopian work —The Worker, Heliopolis, Eumeswill or On the Marble Cliffs— advanced his vision of the degradation of the individual as a homogenized functional object —which curiously obscures his human face with masks—, the servitudes of power, the generators of opinion, demagogy, tyranny and totalitarianism of decomposed societies subjected to nihilism. Orwell in his 1984 painted a world of control, with a watchful big brother and a thought police telling us what to think, with the imposition of the one-party dictatorship brainwashing from the omnipresent telescreen, propaganda and newspeak slogans ( "War is peace", "Freedom is slavery", "Ignorance is strength."). In Huxley's Brave New World, a paradise is announced where absolutely everything was determined, which denies free will, manages emotions, the use of technology to control society, that consumer society happily enslaved and emptied of all spiritual content. Bradbury's Fahrenheit 451, once again predicted a uniform and oppressive happy arcadia with curtailed freedom of expression, which censors thought and knowledge, with a society obsessed with the media of TV and radio that instead burns books, its citizens are watched, vigilantes and informants, where all censorship is a social good and persecutes the dissident. The most recent Journey to the End of Time by José Javier Esparza, with technical civilization and the excesses of genetic engineering, facing the desperate search for the sacred and the return of the spirit. Until the Matrix saga that focuses on determinism, the ties of the system, freedom, our domination and mental programming.

Despite great powers in the shadows, powers that be, influential multinationals, bilderberg clubs, loobies, think tanks, Masonic societies, media terminals, currents of thought, future plans and agendas or governments that lie and corset, one can search for theories of the conspiracy, but the truth is that the great mass is already intoxicated and alienated. The cultural hegemony that Gramsci spoke of has swept everything away. A twist has been given to those dystopian predictions. All in the name of democracy, freedom, equality and progress. True freedom has been undermined. Today they no longer have to pull the strings, we are happy slaves, brainwashing and the conquest of minds in its final stage. We adore our subjective self and our relative truth turned into absolute, we fatten our ego in the networks, we project what we are not. Because we are neurotic individuals, weapons of mass manipulation that play at cancel culture, fake news, inclusive language and political correctness. We are sheep and indoctrinated masses but we don't even know this and if they tell us we won't believe it either. Our preferences and tastes Google already knows them. We are impulses fed by an algorithm that works with artificial intelligence, and that tells us how to think and how to feel. Inexperienced, docile underdogs and without the ability to react, only what is expected of us, that of the herd. Nature itself has been straightened out with the power of science and technology, finally redesigning society and the human being. It is the new religion, a labyrinth of new parables, crumbling images, precarious icons, and the great silenced truths, thrown into ostracism.

Faced with the dehumanization of postmodernity, the globalist posthumanity of the new world order and contemporary nihilist decadence, there is nothing left but to lie in wait, as the soldier poet, anarch and cursed rebel Jünger used to say, return to the "forest", to the refuge, to the resistance interior, outside the walls of the system, alone with oneself. Hour of effort and will, primordial force, creative individuality, distancing from homogeneity, transversality and dissidence. Like the ranger who goes into exile and rearms, when the time comes he mounts the beast and charges into battle.

Postmodernism is here to stay, the political currents known to date are mortally wounded, due to many renewals of their message to continue in the wheel of the system, they will not be able to do anything against the powerful capitalist system, already in the orbit of transhumanism and Artificial intelligence.

The apostles of evolution with their Promethean solutions have loaded their globalist and relativistic ammunition, and have launched it on every living creature. Their vision is the same as always, liberation, the kingdom of happiness on earth, which hides nothing but a vile interest in amassing fortunes and power for their elites and their lineages. But that invented world that they try to impose on us is not the true and his conception of man so far from the truth aims to create an amorphous, manageable, denatured and neurotic mass emancipated by its relative truths and its subjective self-determination. No matter how many laws they articulate, no matter how much indoctrination they are, they will never be able to put barriers to freedom and life. Denying their spiritual reality and desacralizing it is the objective of their plans and agendas.

AI is a twist in that whole process. It will transform absolutely everything. Think about jobs, genetic engineering, assisted reproduction, babies on demand, algorithms... there is talk of a fourth Industrial Revolution, in which the old economic and political models are going to be useless. Faced with this increasingly present dystopian world of science fiction, a return to the transcendent conception of man, an update of the Tradition as a response to nihilism and the coming hypertechnology.

Dethrone Tyranny!! Gamma Ray, one of the leading German power metal bands, founded by Kai Hansen (Helloween guitarist), warns us and shows us the way. His explicit songs like “Illuminati You will never take control!” or “New World Order” unfortunately so current…

Illuminati You will never take control !:

-------

Illuminati

You've come to take control

You can take my heartbeat

But you can't break my soul

We all shall be free

Illuminati

You'll never take control

Your new world order

Will lead to none at all

We all stand before you as one

Heaven is for everyone

To be free from the dark

New World Order:

-------

On wings of tomorrow we're coming to fly

Erasing the sorrow and this is the place where you die

We're shaking the chains off the world of today

We're coming to get you no matter what you're gonna say,

This is the time of the ending

It's the dawn of a new world order

This is a new beginning

Where a new world shall arise, we scream

On the wings of yesterday you're gonna die

And you know it's gonna be - we're screaming

This is illumination - we are

We are illuminates - beware

This is illumination - we are

We are illuminates

We live inside society, our presence is unknown

We plot and we manipulate you to which way to go

Illumination comes across the world to bring an end

Intimidating silent force that puts us in command

This is the dawn of the ending

It's the time of a new world order

This is a new beginning

Where a new world shall arise, we scream

On the wings of yesterday you're gonna die

And we know it's gonna be - forever

This is illumination - We are

We are illuminates - Beware

This is illumination - We are

We are illuminates

In the darkness, we shall await

Prepare for changes, to seal your fate

This is illumination - We are

We are illuminates - Beware

This is illumination - We are

We are illuminates

protected, with this sign the enemy is defeated"). Pelayo attributed his success to the use of this protective emblem. Whether or not the story about Don Pelayo and the battle of Covadonga is more reliable is told: if it was in 718 or 722, the number of participants according to the chronicles, recent studies talking about a riot of four uncles, what if it ended Reconquista was coined in contemporary times... the truth is that myths and legends convey to us the vision of what our ancestors believed, felt and lived at that time —let's stop judging the past with today's values"—, and That collective feeling and thought at that key moment, that fact, was the flame that lit and motivated the slow but persistent advance towards the south in that process of recovery of the lost kingdom, the so-called Reconquista, towards the definitive unity of Christian kingdoms, concluded with the capture of Granada in 1492.

 [T-shirt proposed by Elena Arquimbau]

[Information about Customized Shirts]

The Iberians gained fame for their fighting prowess, but their writing systems, their trade, and their art show that they were much more than great warriors. Their mother tongue "Iberian" was spoken from the Hérault River (France) to Porcuna (Jaén) and they left thousands of inscriptions written in an original alphabet of signs that was a mystery for centuries that little by little is deciphering ... Written on coins , lead sheet, amphorae, mosaic, stone stele, silver crockery or trousseau, painted and engraved ceramics, copper plates, silver trousseau, walls ... Its enormous diffusion in the peninsula reveals to us how consolidated it was. The same alphabet was also shared with the Lusitanian and Proto-Basque languages.

[In the image the head of the wolf on the pectoral disc of the armor of the Iberian warriors]

The representation of the wolf in Iberian iconography, as a cult totemic animal, with strong roots in pastoral populations, related to myths and religious symbolism, represents ardor, heroism and warrior mysticism. Combat scenes between wolf and man are common, some symbolize death threat, lineage of power, protection in combat ... and the cult of the night, the path or initiation rite, in the passage to the afterlife, lupus as a guide in the afterlife ...

So recurrent in Iberian art, we find it in the sculptural ensembles of "El Pajarillo", in the Elche-Archena style ceramics, in the mints of the Iltirta and Iltiraka mint, in the "Copa del Carnassier", in the "Torso de Guerrero de la Alcudia"... and in the "Pátera de Perotito" where a young man, his hands are raised in a ritual position, is devoured by the wolf, merging with him, in his transit with the beyond ...

Because the wolf is also death, dying to live, dying to resurrect, when we are eaten we will renew our spirit, as a different being that is reborn as a new man. A journey of the initiate to the world of spirits, a descent to the bottom of the caverns, twinned with a wolf guide who will transfer us his great qualities...