Camiseta oficial del proyecto El Poder del Metal

"Dios, qué buen vassallo, si oviesse buen señore!" (Cantar de Mio Cid)

"El ciego sol, la sed y la fatiga. Por la terrible estepa castellana, al destierro, con doce de los suyos -polvo, sudor y hierro-, el Cid cabalga."  (Manuel Machado)

"Dios, qué buen vassallo, si oviesse buen señore!" (Cantar de Mio Cid)

"El ciego sol, la sed y la fatiga. Por la terrible estepa castellana, al destierro, con doce de los suyos -polvo, sudor y hierro-, el Cid cabalga."  (Manuel Machado)

"Dios, qué buen vassallo, si oviesse buen señore!" (Cantar de Mio Cid)

"El ciego sol, la sed y la fatiga. Por la terrible estepa castellana, al destierro, con doce de los suyos -polvo, sudor y hierro-, el Cid cabalga."  (Manuel Machado)

«The war reached us all, in the heat of battle, we well knew the sovereign wolf God and his ferocious consecrated warrior brotherhoods that, through magical rituals, acquired fury for combat, assuming the faculties of the wolf and after his death triumphant, Vaélico, thus referred to by the Vetones, accompanies them on their journey to the beyond.»

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

We ignore the meaning of the dragon,

how we ignore the meaning of the universe,

but there is something in the image of him that agrees with the imagination of men,

and so the dragon in different latitudes and ages.

Jorge Luis Borges

The Book of Imaginary Beings (1967)

[In the image we can see the skull of a dragon and its spine that curls until it ends in the tail, so that it forms a spiral enriched with Celtic decorations. In the cross of the medallion we see the skeleton of the dragon with wings spread in the pose of a "wind rose". A compass to orient ourselves and discover our Magical Spain, a dragon of the winds that flies over our Iberian Peninsula from north to south, this way to the west to marvel at our hidden treasures. Bordering the beast, the legend Creaturae Iberiae and Celtic motifs]

 2º EDICIÓN AMPLIADA Y CORREGIDA (ED. LIMITADA)

*GASTOS DE ENVÍO GRATIS (SÓLO ENVÍOS A ESPAÑA)

*GASTOS DE ENVÍOS RESTO DE EUROPA: +20€

El Álbum Bestial de la España Mágica no es un libro cualquiera. Con apariencia de álbum de cromos, bucea por la criptozoología, el folklore y la mitología ibérica.

Se puede leer como un bestiario de monstruos, seres elementales y personajes míticos españoles; como una guía de viaje de mundos ocultos, enclaves de energía telúrica y lugares malditos; como un catálogo de tesoros y objetos de poder; o como una invitación a descubrir esa España mágica capaz de reunir las leyendas más extraordinarias y también las más truculentas.

Una colección monstruosa ilustrada por David Mallo e impulsada por Iberian Creatures, que os dejará fascinados y atemorizados a partes iguales.

Prólogo a cargo de Miguel de Lys.

>>Ver campaña VERKAMI aquí<<

DIGITAL EDITION (FREE)

The viada according to the RAE is the violent departure or departure of a person or an animal. It is also defined as the start-up or starting of an engine. With various meanings in disuse such as an attack or the defeat of enemy troops.

Much of it you will find in the pages of this graphic work. A compilation loaded with lights and shadows, myths and legends, ancestral references and historical identities. There is love and also many passages of war. But above all there is a purpose that you will discover through a path of the spirit, a pagan path, a magical path, a path of cultures, a path of action and a path of death.

Because this is a journey and a warrior path. An intimate and direct blasting—violent of course, since it is a first radical shock to your own sensitivity and subjectivity—of your reality. An inner revolution to start surfing the wave.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

The Iberians gained fame for their fighting prowess, but their writing systems, their trade, and their art show that they were much more than great warriors. Their mother tongue "Iberian" was spoken from the Hérault River (France) to Porcuna (Jaén) and they left thousands of inscriptions written in an original alphabet of signs that was a mystery for centuries that little by little is deciphering ... Written on coins , lead sheet, amphorae, mosaic, stone stele, silver crockery or trousseau, painted and engraved ceramics, copper plates, silver trousseau, walls ... Its enormous diffusion in the peninsula reveals to us how consolidated it was. The same alphabet was also shared with the Lusitanian and Proto-Basque languages.

[In the image the head of the wolf on the pectoral disc of the armor of the Iberian warriors]

The representation of the wolf in Iberian iconography, as a cult totemic animal, with strong roots in pastoral populations, related to myths and religious symbolism, represents ardor, heroism and warrior mysticism. Combat scenes between wolf and man are common, some symbolize death threat, lineage of power, protection in combat ... and the cult of the night, the path or initiation rite, in the passage to the afterlife, lupus as a guide in the afterlife ...

So recurrent in Iberian art, we find it in the sculptural ensembles of "El Pajarillo", in the Elche-Archena style ceramics, in the mints of the Iltirta and Iltiraka mint, in the "Copa del Carnassier", in the "Torso de Guerrero de la Alcudia"... and in the "Pátera de Perotito" where a young man, his hands are raised in a ritual position, is devoured by the wolf, merging with him, in his transit with the beyond ...

Because the wolf is also death, dying to live, dying to resurrect, when we are eaten we will renew our spirit, as a different being that is reborn as a new man. A journey of the initiate to the world of spirits, a descent to the bottom of the caverns, twinned with a wolf guide who will transfer us his great qualities...

The image comes from the bronze Celtiberian hospitality Tsera in the shape of a wolf in zenith perspective that appeared in Burgos, related to a Celtic myth of the end of the world, known as the myth of the “Wolf that devours the Sun”.

The representation of the wolf in Iberian iconography, as a cult totemic animal, with strong roots in pastoral populations, related to myths and religious symbolism, represents ardor, heroism and warrior mysticism. Combat scenes between wolf and man are common, some symbolize death threat, lineage of power, protection in combat ... and the cult of the night, the path or initiation rite, in the passage to the afterlife, lupus as a guide in the afterlife ...

So recurrent in Iberian art, we find it in the sculptural ensembles of "El Pajarillo", in the Elche-Archena style ceramics, in the mints of the Iltirta and Iltiraka mint, in the "Copa del Carnassier", in the "Torso de Guerrero de la Alcudia"... and in the "Pátera de Perotito" where a young man, his hands are raised in a ritual position, is devoured by the wolf, merging with him, in his transit with the beyond ...

Because the wolf is also death, dying to live, dying to resurrect, when we are eaten we will renew our spirit, as a different being that is reborn as a new man. A journey of the initiate to the world of spirits, a descent to the bottom of the caverns, twinned with a wolf guide who will transfer us his great qualities...

Before the Iberians, Celts, Phoenicians, Greeks and Tartessos, there were the Atlanteans, those inhabitants of the most advanced civilization - their technology, their knowledge, their ships, their cars, their wealth, their mines, their constructions, their culture, their hidden idols, their sacred kingdoms...—which disappeared—perhaps due to an earthquake or a great deluge—completely 11,000 years ago. It was one of those lost continents like Hyperboria, Lemuria and Mu, whose memory remains submerged in oblivion.

Atlantis is the seed of our own civilization, its empire spread over the planet - it is possible that the Greek myths had their Atlantean birth in Iberia. A large commercial port city, where boats enter and leave with their mythical metals. Its origin, wrapped in myth, legend and fantasy, is still one of the great enigmas for archaeologists, who believe it could be found on the coast of Cádiz, near the Pillars of Hercules, at the "end of the world". of which the classics of Antiquity spoke.

Many mysteries and secret keys of this legendary civilization to decipher. Was it the lost city that was under water that Plato was talking about? Did the Atlanteans invade Egypt? Was the Great Sphinx of Giza a vestige of Atlantis? Did the Atlanteans build the pyramids? Did they trade with King Solomon? Did your navigators reach America? Did they annihilate the Lemurian civilization? Was Tartessos perhaps Atlantis?

Before the Iberians, Celts, Phoenicians, Greeks and Tartessos, there were the Atlanteans, those inhabitants of the most advanced civilization - their technology, their knowledge, their ships, their cars, their wealth, their mines, their constructions, their culture, their hidden idols, their sacred kingdoms...—which disappeared—perhaps due to an earthquake or a great deluge—completely 11,000 years ago. It was one of those lost continents like Hyperboria, Lemuria and Mu, whose memory remains submerged in oblivion.

Atlantis is the seed of our own civilization, its empire spread over the planet - it is possible that the Greek myths had their Atlantean birth in Iberia. A large commercial port city, where boats enter and leave with their mythical metals. Its origin, wrapped in myth, legend and fantasy, is still one of the great enigmas for archaeologists, who believe it could be found on the coast of Cádiz, near the Pillars of Hercules, at the "end of the world". of which the classics of Antiquity spoke.

Many mysteries and secret keys of this legendary civilization to decipher. Was it the lost city that was under water that Plato was talking about? Did the Atlanteans invade Egypt? Was the Great Sphinx of Giza a vestige of Atlantis? Did the Atlanteans build the pyramids? Did they trade with King Solomon? Did your navigators reach America? Did they annihilate the Lemurian civilization? Was Tartessos perhaps Atlantis?