DIGITAL EDITION (FREE)

The viada according to the RAE is the violent departure or departure of a person or an animal. It is also defined as the start-up or starting of an engine. With various meanings in disuse such as an attack or the defeat of enemy troops.

Much of it you will find in the pages of this graphic work. A compilation loaded with lights and shadows, myths and legends, ancestral references and historical identities. There is love and also many passages of war. But above all there is a purpose that you will discover through a path of the spirit, a pagan path, a magical path, a path of cultures, a path of action and a path of death.

Because this is a journey and a warrior path. An intimate and direct blasting—violent of course, since it is a first radical shock to your own sensitivity and subjectivity—of your reality. An inner revolution to start surfing the wave.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

October 12, Hispanic Day. They have asked us to launch something commemorative for the date and we have been thinking about how to approach the Conquest without being dragged by the Black Legend or by chauvinism or irrational nationalism, an exclusive jingoism in many cases. Nor did we want to go into details and nuances about the differences between civilizing empires versus predatory empires, or disquisitions about rights, cruelties and benefits.

This memory is perhaps more metaphysical and spiritual, an approach oriented to the epic, the deed, the courage, the patriotism and the identity of the peoples. Influence the epic of some brave men whose gods were born in Extremadura and who, dressed in swords, breastplate and morion, jumped into the sea seeking glory and fortune for their Empire, and who faced other mythical and honorable giants, strong and powerful warriors protected by their gods of War and the Sun, who worshiped the rain and the stars in their imposing temples and who fought fiercely while beating their drums carved in ahuehuete wood - Huehuetl is thought to have a mystical and ancestral sense , because its sound is related to the heart of the earth.

Thinking about the dimensions of that historic journey and that encounter, remembering those men on both sides of the pond is what we have intended with this design, a look at that world in which life hung by a thread, and in that being, courage, honor and spirit had a value that today we can hardly imagine.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

Our tribute to all those bands that in the mid and late 90s created an autochthonous genre, "Celtiberian Black Metal". Distancing themselves from Viking metal, those groups permeated the national scene with their own identity based on the beliefs of the native peoples of ancient Iberia, their lyrics bring us closer to Celtiberian mythology, legends, heroes, gods, epics, nature, customs, rites, Iberian landscapes and the paganism of our pre-Roman culture.

Influenced by Norwegian and Polish black bands, the "barbarians" Nazgul was born in Madrid back in 1995 by the hand of its founder Defernos and the guitarist Thorgul, an emblematic reference band that defined the concept and was one of the germs of the later bands of "Celtiberian Pagan Metal".

In parallel, the Cantabrian Erun Dagoth creates a melodic and epic Death / Black musical project with Celtic Folk elements called CrystalMoors, whose themes breathe history - the Cantabrian wars for example -, mythology and nature of Cantabria - over time and outside the ranks of Crystalmoors, Erun creates a very interesting solo project called Briargh, straddling epic fantasy, paganism and Celticism. In 2018 they joined forces with the Hordak band - we who do not come from the BM, but from the power of Manowar, Running Wild, Blind Guardian or Helloween, we have discovered them with "Father" and they have conquered us! - to create the split "Árguma / Ophiusa ". Within this cultural paganism they have shared stages with bands of neofolk and dark folk roots, whose compositions sink in ancestral folklore and the magical beliefs of the Iberian peoples, such as Keltika Hispanna whose Black / Death influences are appreciated for example in their album "Terror Romanorvm ".

In this CBM tour we have come across hundreds of bands that have dealt with pre-Christian Iberian autochthonous cultures such as Aiumeen Basoa (1994), Numen (1997), Lux Divina (1998), Berserk (1998), Nakkiga (1999), Cyhiriaeth (2000), Omendark (2001), Carcharoth (2002) or Forestdome (2002).

Therefore, this small design is used almost in crude, to remember this genre and those bands that have raised and carried the flame of the spirit of the pre-Roman peoples of Iberia.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

There was a remote time when the gods walked among men, a mythical era that ended up being corrupted until the dark age took over everything ... according to the old Hindu scriptures, the last avatar will come to free us from kaliyuga, the era without dharma ...

Faced with the blind faith in the end-time messiah and the isolated physical and spiritual retreat in a crystal palace, a path of the left hand arises within this entropy, an active spiritual and warrior path, where the tiger can ride, avoiding being eaten while waiting for fatigue to run...

The wisdom tradition invites you to radically immerse yourself in life, in your life, assume it, accept it, confront it, become aware, forge yourself and learn from it, without fear, enter its multiple scenarios, integrate all those disparate and opposing experiences, that burn in your interior, teachings that help you to be your own avatar, the light in the darkness... an invitation to admire the greatness, splendor and magic that surround your own existence, to live in truth and freedom, that makes you transcend by overcoming your own difficulties and miseries.

Tibetan Buddhism brings us closer to the god Mahakala, an internal, compassionate warrior, the protector of the dharma, the secret doctrines, the wisdom and the lineage, that ancient demon whose head adorns with his five poisons or klesahas that he transmuted into five wisdoms, an angry and wrathful divinity capable of bringing light into darkness, as a symbol of struggle that awakens pure energy and unyielding strength to overcome and dissolve the obstacles and negativities that impede the spiritual path.

Where men dwell, the divine also dwell ...

The gods, myths and cults die when a dark age takes over men and condemns them to walk desolate ... however, not everything is lost ... it beats tirelessly in your gallop until restoring in your wild heart the old gods - those with whom our ancestors lived in their natural world —... Loves nature, and cries like the wind and the lightning for the resurgence of the sacred breath until the beautiful pagan melodies that ran through those forgotten universes are resurrected…

The magic night is yet to come. Our star king has reached its zenith to flood us with light, love, heat & energy.

Jump into the flames, let go of your fears, burn your ballasts and immerse yourself in the pure waters bathed in the full moon of June.

Remember Sirius, bright light from heaven that illuminates the Nile.

Celebrate the god Juno and the goddess Jupiter who celebrate their heavenly love in Ancient Rome.

Praise the goddess Lithia of the Wiccas who in love hopes to be fertilized.

Beware of the mystical, charming, and mischievous Celtic creatures that go out to tangle with humans.

Dance with the druid drums to the rhythm of dawn, at its peak the sun filters, flooding the ancient stones of the StoneHenge with magical light.

& adore forever the oracle of the spirit of nature !!

Where men dwell, the divine also dwell ...

The gods, myths and cults die when a dark age takes over men and condemns them to walk desolate ... however, not everything is lost ... it beats tirelessly in your gallop until restoring in your wild heart the old gods - those with whom our ancestors lived in their natural world —... Loves nature, and cries like the wind and the lightning for the resurgence of the sacred breath until the beautiful pagan melodies that ran through those forgotten universes are resurrected…

American Indians: Great warriors, farmers and nomads. Sacred tribes with ancestral ties set among themselves throughout Alaska, Hawaii and the rest of EEUU, that formed the millenarian culture of the “red skins”. Native Americans like the Sioux, Arapajoes, Apache, Cheyenne or Cherokee and their famous leaders such as Geronimo, Crazy Horse, Sitting Bull that evoke the epic struggles of the Conquest of the Wild West.

The supreme product of Indian civilization was the warrior. His prototype contains a wealth of virtues that make him an admirable figure. And to be a good warrior as the Indians understood it, it was not enough to have extraordinary courage; He had to be, too, generous, detached, austere, noble: in short, a true gentleman, a true knight: a way of life and a "way of perfection”.

The irreverent and revolutionary Old skull, the spirit of fun. Skulls were used in the old traditions of satirical and ridiculous poems making social criticism and protest, dates 500 years ago. Also had been used in different plays like the ”Dance of Death” in the 14th century. People needed satire to help deal with the grim world (plagues and diseases) around them. But the symbol emerged in Mexico as a means of expression especially used with roguish and ironic tones against the nobles and powerful of the viceroy times. It is also used during the celebration of the day of the death.

"Only dead fish follow the stream of the river".

Swimming against the current is an odyssey in an open world where paradoxically there is more access to information but at the same time we are more controlled. Reflections of those dystopian universes — riddled with environmental disasters and cataclysms — from science fiction novels have come true. But there is still hope. There are spaces of freedom to ambush, where dissidents and freethinkers can react and rebel against the flashes of tyranny, censorship and dehumanization present in society. In some remote and lost place the Lineage of the free will always resist.